Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Going against the grain of Olympic celebrations, Iain Sinclair warned against the disastrous consequences of the Grand Project in Ghost Milk. Instead of the promised regeneration, he could only foresee waste, contamination and the erasure of local culture, while predicting that the brand new Olympic superstructure would soon turn into ruins. Sinclair documents the legacy of a lost place, mourning the annihilation of sheds and familiar haunts. Sinclair engages with modern art, pitting Kapoor against Gormley, to demystify the Olympic epic. He maps the failure of other significant grand projects and former Olympic parks, using psychogeographic drift and the motif of the Northwest Passage, to articulate dissent. ; Going against the grain of Olympic celebrations, Iain Sinclair warned against the disastrous consequences of the Grand Project in Ghost Milk. Instead of the promised regeneration, he could only foresee waste, contamination and the erasure of local culture, while predicting that the brand new Olympic superstructure would soon turn into ruins. Sinclair documents the legacy of a lost place, mourning the annihilation of sheds and familiar haunts. Sinclair engages with modern art, pitting Kapoor against Gormley, to demystify the Olympic epic. He maps the failure of other significant grand projects and former Olympic parks, using psychogeographic drift and the motif of the Northwest Passage, to articulate dissent.
Going against the grain of Olympic celebrations, Iain Sinclair warned against the disastrous consequences of the Grand Project in Ghost Milk. Instead of the promised regeneration, he could only foresee waste, contamination and the erasure of local culture, while predicting that the brand new Olympic superstructure would soon turn into ruins. Sinclair documents the legacy of a lost place, mourning the annihilation of sheds and familiar haunts. Sinclair engages with modern art, pitting Kapoor against Gormley, to demystify the Olympic epic. He maps the failure of other significant grand projects and former Olympic parks, using psychogeographic drift and the motif of the Northwest Passage, to articulate dissent. ; Going against the grain of Olympic celebrations, Iain Sinclair warned against the disastrous consequences of the Grand Project in Ghost Milk. Instead of the promised regeneration, he could only foresee waste, contamination and the erasure of local culture, while predicting that the brand new Olympic superstructure would soon turn into ruins. Sinclair documents the legacy of a lost place, mourning the annihilation of sheds and familiar haunts. Sinclair engages with modern art, pitting Kapoor against Gormley, to demystify the Olympic epic. He maps the failure of other significant grand projects and former Olympic parks, using psychogeographic drift and the motif of the Northwest Passage, to articulate dissent.
Planning Future Ruins
Lanone, Catherine (Autor:in)
19.11.2021
doi:10.6093/2035-8504/8535
Anglistica AION: An Intersciplinary Journal; Vol 19 No 2 (2015): Wastelands: Eco-narratives in Contemporary Cultures in English; 81-90 ; Anglistica AION: An Interdisciplinary Journal; V. 19 N. 2 (2015): Wastelands: Eco-narratives in Contemporary Cultures in English; 81-90 ; 2035-8504
Aufsatz (Zeitschrift)
Elektronische Ressource
Englisch
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