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Urban sound : territories, affective atmospheres, and politics
This dissertation approaches issues related to the territories, affective atmospheres and politics of urban sound. The research methodology, underpinned by the concepts and methods of non- and more-than-representational theories, consists on a participatory approach in which research questions, data, and concepts were co-produced by the researcher and a group of twelve participants. I conducted two sets of experiments with the group of participants. In the first set, I conducted a series of sound diaries followed by conversations. In the second set, I conducted a series of go-alongs, which were followed by group interviews. In addition, I conducted two geoethnographic studies – one in Chiado, Lisbon, and another in Quinta da Piedade, Vila Franca de Xira – with the purpose of exploring the research concepts in ecological contexts. The main objective of this thesis is to explore the phenomenology of the urban sonic experience, and the possibilities to intervene in urban territories through sound. By doing this, the thesis contributes toward advancing knowledge in the field of sonic geographies, namely by increasing knowledge about the urban sonic experience. I argue that the phenomenology of the urban sonic experience emerges from the simultaneity of listening and soundmaking, both of which are more-than-representational acts that intertwine affective sensing and ethico-political reasoning. Furthermore, I show that sonic interventions in urban space that engage with these more-than-representational acts, such as artistic practices or street football, have the capacity of altering urban territories by acting on the distribution of the sensible or by enacting worlds. The thesis is composed by four individual but related studies. Study#1 aims to understand the phenomenology of moments of transition between sonic environments in the urban context through the analysis of a series of experiments conducted with the group of volunteers. I conceptualise the phenomenology of moments of transitions as sonic first ...
Urban sound : territories, affective atmospheres, and politics
This dissertation approaches issues related to the territories, affective atmospheres and politics of urban sound. The research methodology, underpinned by the concepts and methods of non- and more-than-representational theories, consists on a participatory approach in which research questions, data, and concepts were co-produced by the researcher and a group of twelve participants. I conducted two sets of experiments with the group of participants. In the first set, I conducted a series of sound diaries followed by conversations. In the second set, I conducted a series of go-alongs, which were followed by group interviews. In addition, I conducted two geoethnographic studies – one in Chiado, Lisbon, and another in Quinta da Piedade, Vila Franca de Xira – with the purpose of exploring the research concepts in ecological contexts. The main objective of this thesis is to explore the phenomenology of the urban sonic experience, and the possibilities to intervene in urban territories through sound. By doing this, the thesis contributes toward advancing knowledge in the field of sonic geographies, namely by increasing knowledge about the urban sonic experience. I argue that the phenomenology of the urban sonic experience emerges from the simultaneity of listening and soundmaking, both of which are more-than-representational acts that intertwine affective sensing and ethico-political reasoning. Furthermore, I show that sonic interventions in urban space that engage with these more-than-representational acts, such as artistic practices or street football, have the capacity of altering urban territories by acting on the distribution of the sensible or by enacting worlds. The thesis is composed by four individual but related studies. Study#1 aims to understand the phenomenology of moments of transition between sonic environments in the urban context through the analysis of a series of experiments conducted with the group of volunteers. I conceptualise the phenomenology of moments of transitions as sonic first ...
Urban sound : territories, affective atmospheres, and politics
Paiva, Daniel (Autor:in) / Cachinho, Herculano Alberto Pinto
23.04.2019
101559860
Hochschulschrift
Elektronische Ressource
Englisch
Reconfiguring the Spaces of Urban Politics: Circuits, Territories, and Territorialization
BASE | 2021
|DOAJ | 2022
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