Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Anatomija izgubljenog spomenika – Rekompozicija pročelja romaničke katedrale u Zadru ; Anatomy of a Lost Monument – The Recomposed Façade of the Romanesque Cathedral of Zadar
Članak govori o pročelju katedrale u Zadru. Riječ je o romaničkoj bazilici izgrađenoj u 12. stoljeću te u 13. stoljeću produženoj na pročelnoj strani. Tada je izvorna fasada razgrađena, a brojni dijelovi njezine arhitektonske plastike ugrađeni su u sklop novoga zida. Riječ je o svojevrsnoj rekompoziciji prvotnih portala, slijepih galerija, njihovih vijenaca, stupića, kapitela, udvojenih arkada, velike rozete i niza pojedinosti koje pružaju mogućnost spoznavanja izvornoga izgleda pročelja. Autor analizom plastike zida, čitanjem stilskih i tehničkih pojedinosti na elementima ugra- đenim u presloženu fasadu, nastoji razlučiti stare od novih dijelova zida, pokušava protumačiti formu i anatomiju izgubljenoga spomenika, donekle očuvanoga u obnovljenoj arhitektonskoj kompoziciji nove cjeline, njezina obrisa i važnih pojedinosti. Dakle, makar posredno, ipak otisnutoga prvotnog oblika u novome pročelju romaničke katedrale. Zahvat je zanimljiv i kao svojevrsna rekompozicija izgubljenoga spomenika. ; The article focuses on the façade of the Cathedral in Zadar, a Romanesque basilica built in the 12th and frontally extended in the 13th century, when the original façade was removed and numerous parts of its architectural sculpture were incor- porated into the new wall. It was a sort of recomposition of the original portals, blind galleries, their garlands, columns, capitals, double arcades, the large rosette, and a number of details that offer an insight into the original appearance of the façade. By analyzing the wall sculpture and reading the stylistic and technical details in the elements embedded in the reassembled facade, the author has tried to distinguish the old parts of the wall from the new ones and to interpret the form and anatomy of the lost monument, to some extent preserved in the restored architectural composition of the new assembly, its contours and important details. Thus, the original form has remained preserved at least indirectly in the new façade of the Romanesque cathedral, an intervention that is also interesting as a kind of recomposition of the lost monument.
Anatomija izgubljenog spomenika – Rekompozicija pročelja romaničke katedrale u Zadru ; Anatomy of a Lost Monument – The Recomposed Façade of the Romanesque Cathedral of Zadar
Članak govori o pročelju katedrale u Zadru. Riječ je o romaničkoj bazilici izgrađenoj u 12. stoljeću te u 13. stoljeću produženoj na pročelnoj strani. Tada je izvorna fasada razgrađena, a brojni dijelovi njezine arhitektonske plastike ugrađeni su u sklop novoga zida. Riječ je o svojevrsnoj rekompoziciji prvotnih portala, slijepih galerija, njihovih vijenaca, stupića, kapitela, udvojenih arkada, velike rozete i niza pojedinosti koje pružaju mogućnost spoznavanja izvornoga izgleda pročelja. Autor analizom plastike zida, čitanjem stilskih i tehničkih pojedinosti na elementima ugra- đenim u presloženu fasadu, nastoji razlučiti stare od novih dijelova zida, pokušava protumačiti formu i anatomiju izgubljenoga spomenika, donekle očuvanoga u obnovljenoj arhitektonskoj kompoziciji nove cjeline, njezina obrisa i važnih pojedinosti. Dakle, makar posredno, ipak otisnutoga prvotnog oblika u novome pročelju romaničke katedrale. Zahvat je zanimljiv i kao svojevrsna rekompozicija izgubljenoga spomenika. ; The article focuses on the façade of the Cathedral in Zadar, a Romanesque basilica built in the 12th and frontally extended in the 13th century, when the original façade was removed and numerous parts of its architectural sculpture were incor- porated into the new wall. It was a sort of recomposition of the original portals, blind galleries, their garlands, columns, capitals, double arcades, the large rosette, and a number of details that offer an insight into the original appearance of the façade. By analyzing the wall sculpture and reading the stylistic and technical details in the elements embedded in the reassembled facade, the author has tried to distinguish the old parts of the wall from the new ones and to interpret the form and anatomy of the lost monument, to some extent preserved in the restored architectural composition of the new assembly, its contours and important details. Thus, the original form has remained preserved at least indirectly in the new façade of the Romanesque cathedral, an intervention that is also interesting as a kind of recomposition of the lost monument.
Anatomija izgubljenog spomenika – Rekompozicija pročelja romaničke katedrale u Zadru ; Anatomy of a Lost Monument – The Recomposed Façade of the Romanesque Cathedral of Zadar
Vežić, Pavuša (Autor:in)
01.01.2019
Ars Adriatica ; ISSN 1848-1590 (Print) ; ISSN 1848-7459 (Online) ; Issue 9
Aufsatz (Zeitschrift)
Elektronische Ressource
Kroatisch , Englisch
DDC:
720
The Romanesque church facade in Britain
| TIBKAT | 1984
The Romanesque high vaults of Durham Cathedral
| British Library Conference Proceedings | 1993