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Everything, Everywhere, All at Once. Automation, Circularity, and Reprogramming in Cedric Price’s Architectural Imagination
Cedric Price was a fervent critic of a techno-optimism that relied blindly on technology as the answer to any problem. Luciano Brina delves deeper into the figure of Price and his provocative understanding of technology. Analyzing his visual production for the Potteries Thinkbelt (1966) and Fun Palace (1961) projects, Brina evinces a connection between Price's representational techniques, his social and political agendas, and how they anticipated contemporary calls for change: from remediation practices and environmental narratives to alternative urban processes.
Everything, Everywhere, All at Once. Automation, Circularity, and Reprogramming in Cedric Price’s Architectural Imagination
Cedric Price was a fervent critic of a techno-optimism that relied blindly on technology as the answer to any problem. Luciano Brina delves deeper into the figure of Price and his provocative understanding of technology. Analyzing his visual production for the Potteries Thinkbelt (1966) and Fun Palace (1961) projects, Brina evinces a connection between Price's representational techniques, his social and political agendas, and how they anticipated contemporary calls for change: from remediation practices and environmental narratives to alternative urban processes.
Everything, Everywhere, All at Once. Automation, Circularity, and Reprogramming in Cedric Price’s Architectural Imagination
Luciano Brina (Autor:in)
2023
Aufsatz (Zeitschrift)
Elektronische Ressource
Unbekannt
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Tuning Up the City: Cedric Price's Detroit Think Grid
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