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Survey of absence. The use of photographic data for the survey of temporary art exhibitions.
Modern Art Exhibitions succeeded in conveying long-lasting ideas and meanings despite their ephemeral nature. Art history and Museum studies recently started to focus on the Exhibition as a medium, requiring precise graphic reconstructions of exhibit designs for critical and theoretical purposes. Exhibitions were rarely designed through graphic devices such as the project; they were usually a result of improvisation processes. In this sense, photographs are the only documents for graphic reconstructions of temporary art spaces. Nevertheless, the photographic datum has been over-edited in its span of life for more than one reason: it requires a critical approach to be used as a source. The use of digital tools for photography can lead to satisfactory results when applied to humanities.
Survey of absence. The use of photographic data for the survey of temporary art exhibitions.
Modern Art Exhibitions succeeded in conveying long-lasting ideas and meanings despite their ephemeral nature. Art history and Museum studies recently started to focus on the Exhibition as a medium, requiring precise graphic reconstructions of exhibit designs for critical and theoretical purposes. Exhibitions were rarely designed through graphic devices such as the project; they were usually a result of improvisation processes. In this sense, photographs are the only documents for graphic reconstructions of temporary art spaces. Nevertheless, the photographic datum has been over-edited in its span of life for more than one reason: it requires a critical approach to be used as a source. The use of digital tools for photography can lead to satisfactory results when applied to humanities.
Survey of absence. The use of photographic data for the survey of temporary art exhibitions.
Matteo Ballarin (Autor:in)
2013
Aufsatz (Zeitschrift)
Elektronische Ressource
Unbekannt
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