Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
1968 marks the beginning of a social, political and cultural revolution, with all of its internal contradictions. It engulfs the artistic world on both sides of the Atlantic in a veritable transformation, a cathartic rebirth crystalized through the reconfiguration of traditional canons. This creative impulse refuses any artifice, assimilates contradictions, incorporates experience and imaginary worlds, restructures ideas about space and time, definitely severing the boundary between object and concept, short circuiting reality and the imaginary. Inspired by codes of common origins, minimalism, conceptual art, arte povera and land art nonetheless carry diversity in their approaches and methods; yet they coexist and coalesce, in an intricate weave of exchange and rhythmic syncronicity.
1968 marks the beginning of a social, political and cultural revolution, with all of its internal contradictions. It engulfs the artistic world on both sides of the Atlantic in a veritable transformation, a cathartic rebirth crystalized through the reconfiguration of traditional canons. This creative impulse refuses any artifice, assimilates contradictions, incorporates experience and imaginary worlds, restructures ideas about space and time, definitely severing the boundary between object and concept, short circuiting reality and the imaginary. Inspired by codes of common origins, minimalism, conceptual art, arte povera and land art nonetheless carry diversity in their approaches and methods; yet they coexist and coalesce, in an intricate weave of exchange and rhythmic syncronicity.
1968: It’s Just a Beginning
Ester Coen (Autor:in)
2018
Aufsatz (Zeitschrift)
Elektronische Ressource
Unbekannt
1968 , Revolution , Arte povera , Conceptual , Minimal , Land art , Futurism , Architecture , NA1-9428
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British Library Online Contents | 2002
British Library Online Contents | 2002
|British Library Online Contents | 2002
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