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Omni-Learning XR Technologies and Visitor-Centered Experience in the Smart Art Museum
The exhibition "Yōga: Modern Western Paintings of Japan" at Museum of National Taipei University of Education (MoNTUE) brings the omni-learning XR technologies and builds a visitor-centered environment in the smart art museum. It takes "light" as the thematic context of both the exhibition content and the technology adaption. The omni-learning XR technologies, including Optical Camera Communication (OCC) & Augmented Reality (AR), are applied in this exhibition to inspire the desire of exploration of all ages. As a result, this exhibition achieves the mobile, personal and interactive museum experience in a smart art museum without sacrificing the precious moments of encountering the authentic artworks.
Omni-Learning XR Technologies and Visitor-Centered Experience in the Smart Art Museum
The exhibition "Yōga: Modern Western Paintings of Japan" at Museum of National Taipei University of Education (MoNTUE) brings the omni-learning XR technologies and builds a visitor-centered environment in the smart art museum. It takes "light" as the thematic context of both the exhibition content and the technology adaption. The omni-learning XR technologies, including Optical Camera Communication (OCC) & Augmented Reality (AR), are applied in this exhibition to inspire the desire of exploration of all ages. As a result, this exhibition achieves the mobile, personal and interactive museum experience in a smart art museum without sacrificing the precious moments of encountering the authentic artworks.
Omni-Learning XR Technologies and Visitor-Centered Experience in the Smart Art Museum
Lin, Tsang-Gang (Autor:in) / Shih, Hsiang-Lan (Autor:in) / Lee, Chun-Ting (Autor:in) / Hsieh, Hui-Yu (Autor:in) / Chen, Yi-Yuan (Autor:in) / Liu, Chien-Kuo (Autor:in)
01.12.2018
423590 byte
Aufsatz (Konferenz)
Elektronische Ressource
Englisch
Museum Exhibit Evaluation and Visitor Research
British Library Conference Proceedings | 1994
|Smart Learning Ecosystems - technologies, places, and human-centered design
DOAJ | 2018
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