Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Development of Cultural Landscape and Removal of Urban Visual Pollution Using Underground Architecture—Case Study: Tehran Laleh Park
https://orcid.org/http://orcid.org/0000-0003-0381-2808
https://orcid.org/http://orcid.org/0009-0004-8579-8118
Cultural landscapes are one of the most important parts of the metropolises of the world. These spaces can be available to citizens as public spaces and increase cultural and social interactions. The spatial quality of these places can affect the quality of urban space and the lifestyle of citizens. Tehran Laleh Park complex, which is located in the center of Tehran city with an area of more than 35 hectares, is considered one of the cultural sights of Tehran city. Two museums of Contemporary Arts and Carpets were built in the west and northwest of this park in 1977 and 1978, respectively. Both of these buildings are considered to be the richest and most important museums in Iran; and also, they are two of the distinguished buildings in terms of architecture. In the open area around the Museum of Contemporary Art, there are valuable sculptures of the most famous artists in the world, which are currently not understood due to the visual disturbance caused by the existence of a disproportionate function. The open space between these two museums was supposed to be used for holding ceremonies and artistic events, but after the revolution and in 1988, a market was built under the name of Passage of Culture and Art, which then became a self-employed bazaar. This bazaar, which was supposed to be a place for the exchange of artworks, has now become a place for handicrafts and retail. It was built with a different concept and uncoordinated architecture between these two cultural buildings, which caused a visual disturbance and spatial disharmony in this part of the city. It seems that by using underground architecture, it is possible to coordinate with the park complex and its site by applying spatial changes, reducing density on the ground, developing the landscape, and transferring functions different from cultural purposes to the lower ground levels (In order to consider technical and executive matters). This article aims to examine this issue and how to increase open urban spaces and eliminate visual inconsistencies from the cultural perspective of Tehran Laleh Park.
Development of Cultural Landscape and Removal of Urban Visual Pollution Using Underground Architecture—Case Study: Tehran Laleh Park
https://orcid.org/http://orcid.org/0000-0003-0381-2808
https://orcid.org/http://orcid.org/0009-0004-8579-8118
Cultural landscapes are one of the most important parts of the metropolises of the world. These spaces can be available to citizens as public spaces and increase cultural and social interactions. The spatial quality of these places can affect the quality of urban space and the lifestyle of citizens. Tehran Laleh Park complex, which is located in the center of Tehran city with an area of more than 35 hectares, is considered one of the cultural sights of Tehran city. Two museums of Contemporary Arts and Carpets were built in the west and northwest of this park in 1977 and 1978, respectively. Both of these buildings are considered to be the richest and most important museums in Iran; and also, they are two of the distinguished buildings in terms of architecture. In the open area around the Museum of Contemporary Art, there are valuable sculptures of the most famous artists in the world, which are currently not understood due to the visual disturbance caused by the existence of a disproportionate function. The open space between these two museums was supposed to be used for holding ceremonies and artistic events, but after the revolution and in 1988, a market was built under the name of Passage of Culture and Art, which then became a self-employed bazaar. This bazaar, which was supposed to be a place for the exchange of artworks, has now become a place for handicrafts and retail. It was built with a different concept and uncoordinated architecture between these two cultural buildings, which caused a visual disturbance and spatial disharmony in this part of the city. It seems that by using underground architecture, it is possible to coordinate with the park complex and its site by applying spatial changes, reducing density on the ground, developing the landscape, and transferring functions different from cultural purposes to the lower ground levels (In order to consider technical and executive matters). This article aims to examine this issue and how to increase open urban spaces and eliminate visual inconsistencies from the cultural perspective of Tehran Laleh Park.
Development of Cultural Landscape and Removal of Urban Visual Pollution Using Underground Architecture—Case Study: Tehran Laleh Park
https://orcid.org/http://orcid.org/0000-0003-0381-2808
https://orcid.org/http://orcid.org/0009-0004-8579-8118
Cultural landscapes are one of the most important parts of the metropolises of the world. These spaces can be available to citizens as public spaces and increase cultural and social interactions. The spatial quality of these places can affect the quality of urban space and the lifestyle of citizens. Tehran Laleh Park complex, which is located in the center of Tehran city with an area of more than 35 hectares, is considered one of the cultural sights of Tehran city. Two museums of Contemporary Arts and Carpets were built in the west and northwest of this park in 1977 and 1978, respectively. Both of these buildings are considered to be the richest and most important museums in Iran; and also, they are two of the distinguished buildings in terms of architecture. In the open area around the Museum of Contemporary Art, there are valuable sculptures of the most famous artists in the world, which are currently not understood due to the visual disturbance caused by the existence of a disproportionate function. The open space between these two museums was supposed to be used for holding ceremonies and artistic events, but after the revolution and in 1988, a market was built under the name of Passage of Culture and Art, which then became a self-employed bazaar. This bazaar, which was supposed to be a place for the exchange of artworks, has now become a place for handicrafts and retail. It was built with a different concept and uncoordinated architecture between these two cultural buildings, which caused a visual disturbance and spatial disharmony in this part of the city. It seems that by using underground architecture, it is possible to coordinate with the park complex and its site by applying spatial changes, reducing density on the ground, developing the landscape, and transferring functions different from cultural purposes to the lower ground levels (In order to consider technical and executive matters). This article aims to examine this issue and how to increase open urban spaces and eliminate visual inconsistencies from the cultural perspective of Tehran Laleh Park.
Development of Cultural Landscape and Removal of Urban Visual Pollution Using Underground Architecture—Case Study: Tehran Laleh Park
Lecture Notes in Civil Engineering
Wu, Wei (Herausgeber:in) / Leung, Chun Fai (Herausgeber:in) / Zhou, Yingxin (Herausgeber:in) / Li, Xiaozhao (Herausgeber:in) / Safaee, Mohammad Mahdi (Autor:in) / Mirrezaei, Shabnam Sadat (Autor:in) / Vaneshani, Asal Zandi (Autor:in)
Conference of the Associated research Centers for the Urban Underground Space ; 2023 ; Boulevard, Singapore
10.07.2024
12 pages
Aufsatz/Kapitel (Buch)
Elektronische Ressource
Englisch
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