Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Northwest Sciences Building by Rafael Moneo: Circumstantial Evidence
Among the suite of images put together by Rafael Moneo’s office for purposes of a Powerpoint presentation about his Northwest Sciences Building at Columbia University are a rustic stone-and-brick Basque farmhouse with diagonal timber bracing and a drawing by Jasper Johns from the artist’s Crosshatching series. Beyond their sha diagonal iconography, these evocative images from utterly different worlds—along with a third, the facade of Mies van der Rohe’s unbuilt project of 1953–54 for a long-span convention center—suggest the gamut of inspiration and aspiration that informs the architecture of Moneo’s new Columbia University building. The brief was a demanding one: to fit into the university’s century-old brick-and-mortar McKim Mead & White campus; to house twentieth-first century research in several theoretical and applied sciences; to span a large preexisting sports facility that occupies most of the ground and subterranean level (and had to remain open during construction); to bridge to two adjacent science buildings; and to complete the corner of the Morningside Heights campus on a sloping city block while making a mark on the neighborhood skyline and emblematically opening to a planned extension of the university half a dozen blocks northwest in Harlem. These heterogeneous givens demanded a complex, not to say complicated, solution. It is to Moneo’s great credit that he succeeded in finding an architectural image coherent and legible enough to subsume them all.
Northwest Sciences Building by Rafael Moneo: Circumstantial Evidence
Among the suite of images put together by Rafael Moneo’s office for purposes of a Powerpoint presentation about his Northwest Sciences Building at Columbia University are a rustic stone-and-brick Basque farmhouse with diagonal timber bracing and a drawing by Jasper Johns from the artist’s Crosshatching series. Beyond their sha diagonal iconography, these evocative images from utterly different worlds—along with a third, the facade of Mies van der Rohe’s unbuilt project of 1953–54 for a long-span convention center—suggest the gamut of inspiration and aspiration that informs the architecture of Moneo’s new Columbia University building. The brief was a demanding one: to fit into the university’s century-old brick-and-mortar McKim Mead & White campus; to house twentieth-first century research in several theoretical and applied sciences; to span a large preexisting sports facility that occupies most of the ground and subterranean level (and had to remain open during construction); to bridge to two adjacent science buildings; and to complete the corner of the Morningside Heights campus on a sloping city block while making a mark on the neighborhood skyline and emblematically opening to a planned extension of the university half a dozen blocks northwest in Harlem. These heterogeneous givens demanded a complex, not to say complicated, solution. It is to Moneo’s great credit that he succeeded in finding an architectural image coherent and legible enough to subsume them all.
Northwest Sciences Building by Rafael Moneo: Circumstantial Evidence
Building Research: Design, Construction and Technologies
Abrantes, Vitor (Herausgeber:in) / Rangel, Bárbara (Herausgeber:in) / Amorim Faria, José Manuel (Herausgeber:in) / Ockman, Joan (Autor:in)
01.01.2017
3 pages
Aufsatz/Kapitel (Buch)
Elektronische Ressource
Englisch
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