Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Alvaro Siza. The Architect Sculptor of Angels
https://orcid.org/http://orcid.org/0000-0001-8344-7489
This research is framed within a broader line in which the author addresses the reciprocal relations between Art and Architecture of the twentieth and twenty-first centuries. Thus, the essential figure of Álvaro Siza, architect and artist, is analysed in relation to the role of drawing in his process of artistic-architectural ideation. The aim is to clarify, not only the genius of his production, but above all and especially his role as a catalyst and defender of a total art, undoubtedly charged with mysticism. In this sense, his integrative conception of art makes it possible to see the richness of his thought, which is expressed through a ‘hand that knows’, that is, wise, human and divine at the same time.
Alvaro Siza. The Architect Sculptor of Angels
https://orcid.org/http://orcid.org/0000-0001-8344-7489
This research is framed within a broader line in which the author addresses the reciprocal relations between Art and Architecture of the twentieth and twenty-first centuries. Thus, the essential figure of Álvaro Siza, architect and artist, is analysed in relation to the role of drawing in his process of artistic-architectural ideation. The aim is to clarify, not only the genius of his production, but above all and especially his role as a catalyst and defender of a total art, undoubtedly charged with mysticism. In this sense, his integrative conception of art makes it possible to see the richness of his thought, which is expressed through a ‘hand that knows’, that is, wise, human and divine at the same time.
Alvaro Siza. The Architect Sculptor of Angels
https://orcid.org/http://orcid.org/0000-0001-8344-7489
This research is framed within a broader line in which the author addresses the reciprocal relations between Art and Architecture of the twentieth and twenty-first centuries. Thus, the essential figure of Álvaro Siza, architect and artist, is analysed in relation to the role of drawing in his process of artistic-architectural ideation. The aim is to clarify, not only the genius of his production, but above all and especially his role as a catalyst and defender of a total art, undoubtedly charged with mysticism. In this sense, his integrative conception of art makes it possible to see the richness of his thought, which is expressed through a ‘hand that knows’, that is, wise, human and divine at the same time.
Alvaro Siza. The Architect Sculptor of Angels
Springer ser. in des. and Innovation
Hermida González, Luis (Herausgeber:in) / Xavier, João Pedro (Herausgeber:in) / Pernas Alonso, Inés (Herausgeber:in) / Losada Pérez, Carlos (Herausgeber:in) / Agudo-Martínez, M. J. (Autor:in)
Congreso Internacional de Expresión Gráfica Arquitectónica ; 2024 ; Porto, Portugal
30.03.2024
11 pages
Aufsatz/Kapitel (Buch)
Elektronische Ressource
Englisch
Portuguese architect Alvaro Siza profiled
British Library Online Contents | 2003
| TIBKAT | 2003
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| TIBKAT | 1998
| TIBKAT | 2009