Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Immersive Art and Urban Heritage: An Interdisciplinary Study of Socio-Environmental Justice in Houston and Amsterdam
https://orcid.org/https://orcid.org/0000-0002-7381-6663
https://orcid.org/https://orcid.org/0000-0002-7558-7569
This chapter navigates the confluence of immersive design, critical mapping, urban heritage, and socio-environmental justice. It elucidates the potential of these intersecting domains to engender inclusivity, bolster urban resilience, and challenge prevailing power dynamics within urban spaces. Initially, the chapter illuminates the nuances of critical mapping, emphasizing its pivotal role in understanding and advocating for socio-environmental justice within the tapestry of urban heritage. By taking Amsterdam and Houston as primary case studies, the exploration accentuates the power of immersive art and design in forging embodied experiences. These experiences, intrinsically holistic, seamlessly meld the cognitive and affective realms of design-centered embodiment. The showcased city narratives unravel the myriad ways immersive art interventions can stimulate critical reflections on core issues interlinking urban heritage, socio-environmental justice, and the nuances of public space occupation.
A highlight of the chapter is the dissection of an avant-garde project premiered at Venice Biennale 2023, led by authors at Texas Tech University College of Architecture. This initiative probes the intricate socio-political undercurrents sculpting urban commons, with a nuanced lens on the often-overlooked liminal spaces. Adopting an integrative methodology, the project synergizes insights from architectural humanities with cutting-edge robotics, hinting at groundbreaking avenues for co-designing and animating the intersections of urban public and private realms.
Situating itself within the broader discourse of the book on digital interventions in cultural heritage, this chapter carves a distinct narrative niche. It accentuates the transformative potential of immersive art and design in envisaging and actualizing vibrant, inclusive, and adaptive urban transition zones. By interlacing threads of critical mapping and socio-environmental justice, the chapter augments the discourse on urban heritage, offering a profound dive into its manifestations in both North American and European landscapes.
Immersive Art and Urban Heritage: An Interdisciplinary Study of Socio-Environmental Justice in Houston and Amsterdam
https://orcid.org/https://orcid.org/0000-0002-7381-6663
https://orcid.org/https://orcid.org/0000-0002-7558-7569
This chapter navigates the confluence of immersive design, critical mapping, urban heritage, and socio-environmental justice. It elucidates the potential of these intersecting domains to engender inclusivity, bolster urban resilience, and challenge prevailing power dynamics within urban spaces. Initially, the chapter illuminates the nuances of critical mapping, emphasizing its pivotal role in understanding and advocating for socio-environmental justice within the tapestry of urban heritage. By taking Amsterdam and Houston as primary case studies, the exploration accentuates the power of immersive art and design in forging embodied experiences. These experiences, intrinsically holistic, seamlessly meld the cognitive and affective realms of design-centered embodiment. The showcased city narratives unravel the myriad ways immersive art interventions can stimulate critical reflections on core issues interlinking urban heritage, socio-environmental justice, and the nuances of public space occupation.
A highlight of the chapter is the dissection of an avant-garde project premiered at Venice Biennale 2023, led by authors at Texas Tech University College of Architecture. This initiative probes the intricate socio-political undercurrents sculpting urban commons, with a nuanced lens on the often-overlooked liminal spaces. Adopting an integrative methodology, the project synergizes insights from architectural humanities with cutting-edge robotics, hinting at groundbreaking avenues for co-designing and animating the intersections of urban public and private realms.
Situating itself within the broader discourse of the book on digital interventions in cultural heritage, this chapter carves a distinct narrative niche. It accentuates the transformative potential of immersive art and design in envisaging and actualizing vibrant, inclusive, and adaptive urban transition zones. By interlacing threads of critical mapping and socio-environmental justice, the chapter augments the discourse on urban heritage, offering a profound dive into its manifestations in both North American and European landscapes.
Immersive Art and Urban Heritage: An Interdisciplinary Study of Socio-Environmental Justice in Houston and Amsterdam
https://orcid.org/https://orcid.org/0000-0002-7381-6663
https://orcid.org/https://orcid.org/0000-0002-7558-7569
This chapter navigates the confluence of immersive design, critical mapping, urban heritage, and socio-environmental justice. It elucidates the potential of these intersecting domains to engender inclusivity, bolster urban resilience, and challenge prevailing power dynamics within urban spaces. Initially, the chapter illuminates the nuances of critical mapping, emphasizing its pivotal role in understanding and advocating for socio-environmental justice within the tapestry of urban heritage. By taking Amsterdam and Houston as primary case studies, the exploration accentuates the power of immersive art and design in forging embodied experiences. These experiences, intrinsically holistic, seamlessly meld the cognitive and affective realms of design-centered embodiment. The showcased city narratives unravel the myriad ways immersive art interventions can stimulate critical reflections on core issues interlinking urban heritage, socio-environmental justice, and the nuances of public space occupation.
A highlight of the chapter is the dissection of an avant-garde project premiered at Venice Biennale 2023, led by authors at Texas Tech University College of Architecture. This initiative probes the intricate socio-political undercurrents sculpting urban commons, with a nuanced lens on the often-overlooked liminal spaces. Adopting an integrative methodology, the project synergizes insights from architectural humanities with cutting-edge robotics, hinting at groundbreaking avenues for co-designing and animating the intersections of urban public and private realms.
Situating itself within the broader discourse of the book on digital interventions in cultural heritage, this chapter carves a distinct narrative niche. It accentuates the transformative potential of immersive art and design in envisaging and actualizing vibrant, inclusive, and adaptive urban transition zones. By interlacing threads of critical mapping and socio-environmental justice, the chapter augments the discourse on urban heritage, offering a profound dive into its manifestations in both North American and European landscapes.
Immersive Art and Urban Heritage: An Interdisciplinary Study of Socio-Environmental Justice in Houston and Amsterdam
Moral-Andrés, Fernando (Herausgeber:in) / Merino-Gómez, Elena (Herausgeber:in) / Reviriego, Pedro (Herausgeber:in) / Mehan, Asma (Autor:in) / Mostafavi, Sina (Autor:in)
Decoding Cultural Heritage ; Kapitel: 19 ; 439-456
02.07.2024
18 pages
Aufsatz/Kapitel (Buch)
Elektronische Ressource
Englisch
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