Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
This essay concerns the aesthetic category of “quaintness.” The quaint is argued here as useable as an aesthetic-political tool with which to construct cultural authenticity or the sense of a preserved past and the maintenance of social order within a hyper-globalised world. The essay makes its argument through consideration of Irish identity aesthetics of the 1960s and 1970s; specifically, the postcards of the John Hinde Studio and the urban design schemes of the Tidy Towns programme. These quaint phenomena contributed to Irish post-war liberal modernisation and its fostering of international tourism, presenting a particular commercialised image of the “pre-modern” and the “traditional.” Confrontation between the tourist economy and Irish Traveller populations is used to highlight the political functions of quaintness.
This essay concerns the aesthetic category of “quaintness.” The quaint is argued here as useable as an aesthetic-political tool with which to construct cultural authenticity or the sense of a preserved past and the maintenance of social order within a hyper-globalised world. The essay makes its argument through consideration of Irish identity aesthetics of the 1960s and 1970s; specifically, the postcards of the John Hinde Studio and the urban design schemes of the Tidy Towns programme. These quaint phenomena contributed to Irish post-war liberal modernisation and its fostering of international tourism, presenting a particular commercialised image of the “pre-modern” and the “traditional.” Confrontation between the tourist economy and Irish Traveller populations is used to highlight the political functions of quaintness.
The Quaint
McNamara, Felix (Autor:in)
Architectural Theory Review ; 27 ; 346-367
02.09.2023
22 pages
Aufsatz (Zeitschrift)
Elektronische Ressource
Englisch
Quaint , politics , Ireland , Sianne Ngai , Jacques Rancière , aesthetics
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