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Site Decorum
Site decorum refers to the fitting relationship of the site to the building. In classical architectural theory, the character of place affected style and materials: for example, buildings in the country were decorated with less refined finishes than those in the city. Italian Renaissance architects also considered scenography as part of site decorum, so that the position of the observer was taken into account when calculating the appropriate volumes and detail. This resulted from the mastery of linear perspective, a technique that permitted the manipulation of elements to coordinate with the sight-lines of the viewer. Less well known in the context of architecture is the significance of atmospheric perspective, where things become indistinct as they move away from the eye, which could be countered by emphasising the main horizontal, vertical, and massed elements of a building. In the nineteenth century, Charles Robert (C. R.) Cockerell described the methods of designing for different vantage points, noting that the best architects reconciled the two modes of far and close view, and demonstrating how drawing conventions are instruments that might be harnessed to appropriate siting. The salient theme of site decorum is one of perception, namely that a building’s coherent order is relative to the beholder.
Site Decorum
Site decorum refers to the fitting relationship of the site to the building. In classical architectural theory, the character of place affected style and materials: for example, buildings in the country were decorated with less refined finishes than those in the city. Italian Renaissance architects also considered scenography as part of site decorum, so that the position of the observer was taken into account when calculating the appropriate volumes and detail. This resulted from the mastery of linear perspective, a technique that permitted the manipulation of elements to coordinate with the sight-lines of the viewer. Less well known in the context of architecture is the significance of atmospheric perspective, where things become indistinct as they move away from the eye, which could be countered by emphasising the main horizontal, vertical, and massed elements of a building. In the nineteenth century, Charles Robert (C. R.) Cockerell described the methods of designing for different vantage points, noting that the best architects reconciled the two modes of far and close view, and demonstrating how drawing conventions are instruments that might be harnessed to appropriate siting. The salient theme of site decorum is one of perception, namely that a building’s coherent order is relative to the beholder.
Site Decorum
Hill, Michael (Autor:in) / Kohane, Peter (Autor:in)
Architectural Theory Review ; 20 ; 228-246
04.05.2015
19 pages
Aufsatz (Zeitschrift)
Elektronische Ressource
Englisch
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