High Definition: Negotiating Zero Tolerance

Sheil, Bob (Autor:in)

Architectural Design ; 84 ; 8-19

01.01.2014

12 pages

1554-2769 , 0003-8504

https://doi.org/10.1002/ad.1697

Aufsatz (Zeitschrift)

Elektronische Ressource

Englisch

Michelangelo Merisi da Caravaggio, The Incredulity of Saint Thomas , World Wide Web , Territorial Agency , Philip Beesley , William Trossell , ScanLAB Projects , polymer printing technologies , Kate Davies , Facebook , ‘botox’ architecture , ‘Subverting the Lidar Landscape’ , Emmanuel Vercruysse , Brandon Kruysman and Jonathan Proto , Madhav Kidao, The Theatre of Synthetic Realities , 3D scanning , Tom Svilans, The Bradbury Transcripts, Unit 23, Bartlett School of Architecture, University College London (UCL) , Skylar Tibbits , Forest Park, Northumberland, UK , Michael Webb , Kielder Water , Tom Smith, Simulating a Crashed Architecture , Ruairi Glynn , Information Age , Center for Advanced Spatial Analysis (CASA) , Walter Benjamin , Richard Wilson , sixteen* (makers) , Tim Lucas , Tobias Nolte , Ralph Parker , Gehry Partners' Fondation Louis Vuitton , Bartlett's Manufacturing and Design Exchange (BMADE) , Ilona Gaynor and Benedict Singleton , Apple QuickTake , Jordi Portell , Richard Beckett and Sarat Babu , Concorde , nano‐manufacturing , Andrew Witt , 4D manufacturing , The Department of No , Stahlbogen GmbH , Matthew Shaw, Subverted Lidar Landscape , Joseph Ransom Shaw, The Unnatural History Unit , Marta Malé‐Alemany , Philippe Baylaucq , Birgir Örn Jónsson , ‘saturated space’