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Nothing New: Referencing, Remixing and Sampling
Liverpool and London practice Studio MUTT's Graham Burn, James Crawford and Alexander Turner contend that the current age of unpredictable transition is not the time for pseudo‐radical newness. Instead, they evoke the concept of the ‘sample’ as their mode of creative architectural practice, propounding it as an appropriate modus operandi for the contemporary political, pandemic and dwindling neo‐liberal condition.
Nothing New: Referencing, Remixing and Sampling
Liverpool and London practice Studio MUTT's Graham Burn, James Crawford and Alexander Turner contend that the current age of unpredictable transition is not the time for pseudo‐radical newness. Instead, they evoke the concept of the ‘sample’ as their mode of creative architectural practice, propounding it as an appropriate modus operandi for the contemporary political, pandemic and dwindling neo‐liberal condition.
Nothing New: Referencing, Remixing and Sampling
Burn, Graham (Autor:in) / Crawford, James (Autor:in) / Turner, Alexander (Autor:in)
Architectural Design ; 91 ; 26-31
01.01.2021
1 pages
Aufsatz (Zeitschrift)
Elektronische Ressource
Englisch
James Stirling , Multi‐Story , ‘Crude Hints Towards an History of My House’ , Stuttgart , ‘Out of Character’ , Studio MUTT , neoliberalism , James Street, Liverpool , David Dunster , Ian Pollard , Homebase store , Kensington, London , Satchmo the Great , Michael Wilford , Neue Staatsgalerie , Sisyphus , Norman Shaw , Herbert Rowse , Sir John Soane's Museum , Louis Armstrong , Runcorn, Cheshire , Keynesianism
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