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Imagining Naples: The Senses of the City
This chapter contains sections titled:
A Neapolitan Director
Versions of Naples
Death of a Neapolitan Mathematician
L'Amore Molesto
Conclusion
References
Imagining Naples: The Senses of the City
This chapter contains sections titled:
A Neapolitan Director
Versions of Naples
Death of a Neapolitan Mathematician
L'Amore Molesto
Conclusion
References
Imagining Naples: The Senses of the City
Bridge, Gary (Herausgeber:in) / Watson, Sophie (Herausgeber:in) / Caldwell, Lesley (Autor:in)
25.02.2011
10 pages
Aufsatz/Kapitel (Buch)
Elektronische Ressource
Englisch
idea of Naples, as a city, shaping private lives ‐ through dominance of public spaces, bringing together architecture, geography and people , L'amore molesto ‐ a book by Elena Ferrante , Martone's first feature movie, Morte di un matematico napoletano ‐ local ambience around symbolic city space , imagining Naples ‐ senses of the city , Martone's two movies, a city ‐ using images of Naples to represent the personal , death of a Neapolitan mathematician , noise, one of the most notable elements of contemporary Naples ‐ constant sound, accompaniment of most of the second film , lives of two protagonists ‐ family and domestic life, rhythms of Naples and of South consistent across cinematic imaging , images and sensations of city ‐ externalization of protagonists' introspective fantasies , Martone's use of city/person connection ‐ inversion of traditional theatricality and spectacle of Naples
Imagining Naples: The Senses of the City
Wiley | 2003
|British Library Conference Proceedings | 1997
|TIBKAT | 1999
|Wiley | 2011
|