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Evolving Synergy: OCEAN Currents, Current OCEANs and Why Networks Must Displace Themselves
10.1002/ad.331.abs
Founded in the early 1990s, OCEAN was one of the first collaborative geographically distributed practices to realise the potential of telecommunication and digital design technologies. Here Michael Hensel recounts the various mutations and fluid transformations of the experimental groupings that came to form OCEAN net. Accordingly, Hensel's account is more akin to a band biography than a staid sociology of a professional office. Moreover, he explores how the molecular model of distributed authorship presents difficulties, either by confounding external expectations of a singular identity or signature behind the various design processes, or internally as a stable whole of identities attempting to re‐emerge and fix its collaborative mixings into a rigid hierarchy. As OCEAN's biography attests, true collaboration is inherently flat, distributed and transformative, situating architecture as more than just a service profession and transforming it into an intensive practice of living. Collective intelligence in these terms is embedded in the distributed evolutionary processes of the practice as a design project in itself. Copyright © 2006 John Wiley & Sons, Ltd.
Evolving Synergy: OCEAN Currents, Current OCEANs and Why Networks Must Displace Themselves
10.1002/ad.331.abs
Founded in the early 1990s, OCEAN was one of the first collaborative geographically distributed practices to realise the potential of telecommunication and digital design technologies. Here Michael Hensel recounts the various mutations and fluid transformations of the experimental groupings that came to form OCEAN net. Accordingly, Hensel's account is more akin to a band biography than a staid sociology of a professional office. Moreover, he explores how the molecular model of distributed authorship presents difficulties, either by confounding external expectations of a singular identity or signature behind the various design processes, or internally as a stable whole of identities attempting to re‐emerge and fix its collaborative mixings into a rigid hierarchy. As OCEAN's biography attests, true collaboration is inherently flat, distributed and transformative, situating architecture as more than just a service profession and transforming it into an intensive practice of living. Collective intelligence in these terms is embedded in the distributed evolutionary processes of the practice as a design project in itself. Copyright © 2006 John Wiley & Sons, Ltd.
Evolving Synergy: OCEAN Currents, Current OCEANs and Why Networks Must Displace Themselves
Hensel, Michael (Autor:in)
Architectural Design ; 76 ; 104-108
01.09.2006
5 pages
Aufsatz (Zeitschrift)
Elektronische Ressource
Englisch
Synthetic Landscape Phase , Achim Menges , Mark Holmstén , JyväskyläMusic and Art Centre , Tom Verebes , Ulrich Königs , Synthetic Landscape Pavilion , Bostjan Vuga , Juri Sadar , Ocean D , Jeff Turko , ‘space of Information’ , Bonsak Schieldrop , ‘space in Extremes’ , a_Drift Time Capsules , Chamberworks installation , Chul Kong , servo , Kim Bauman Larsen , Finnish Embassy , OCEAN UK , Nekton , OCEAN Oslo , ‘A New Trade Centre’ , Johan Bettum , OCEAN NORTH , Agora sound‐active installations , Sandefjord Museum , Birger Sevaldson , Jeffrey Kipnis , Nopadol Limwatanakul , ‘Living Bridges’ exhibition , Out of Control , Toni Kauppila, Lasse Wager , Tuuli Sotamaa , Slovenian Chamber of Commerce , ARS 01 , Rapid Prototyping technologies , Töölö Open Arena , Kivi Sotamaa , do‐group , d‐Fusion , Christopher Hight , Steiner Killi , Landsc[r[aper Urban Ring Bridge , Kevin Kelly , Orphan Drift
Evolving Synergy: OCEAN Currents, Current OCEANs and Why Networks Must Displace Themselves
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