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Rhythmic Alternation: Metaphors of Light, Dark and Shadow
The ocular‐centric methods of defining, describing and designing architecture, while still prevalent, are predicated on modernist protocols of pure white and strong light. However, recent work and research releases architecture from the dominance of seeing. The penumbra forces us to comprehend buildings often without the full advantage of sight, and to instead rely on haptic sensations, smell and sound. Architect and researcher Javier Corvalán describes this other world of the visceral experience of architecture.
Rhythmic Alternation: Metaphors of Light, Dark and Shadow
The ocular‐centric methods of defining, describing and designing architecture, while still prevalent, are predicated on modernist protocols of pure white and strong light. However, recent work and research releases architecture from the dominance of seeing. The penumbra forces us to comprehend buildings often without the full advantage of sight, and to instead rely on haptic sensations, smell and sound. Architect and researcher Javier Corvalán describes this other world of the visceral experience of architecture.
Rhythmic Alternation: Metaphors of Light, Dark and Shadow
Corvalán, Javier (Autor:in)
Architectural Design ; 93 ; 78-85
01.07.2023
1 pages
Aufsatz (Zeitschrift)
Elektronische Ressource
Englisch
Paraguay , osypyte , Chamacoco people , Jun’ichirō Tanizaki , In Praise of Shadows , Le Corbusier , Chris Downey , Berlin , Jewish Museum , Daniel Libeskind , Menashe Kadishman , gunyah , Australian Aboriginal groups , umbracula , the Pope , Catholic Church , Thailand , Nine‐Tiered Great White Umbrella of State (Nopphapadon Mahasawettachat) , Umbraculo House , Asunción
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