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Club Cinemetrics: New Post‐Perspectival Design Methodologies
Cinemetrics is a post‐perspectival, cinematically inspired drawing system that encourages a way of working that is multilayered and multiscalar, responding to the complexities of contemporary life and the city. Here Brian McGrath, in collaboration with Hsueh, Cheng Leun, Paul CHU Hoi Shan, José De Jesús Zamora and Victoria Marshall, demonstrates how in field work in the US, Thailand and Taiwan, Cinemetrics enabled them to adopt an interdisciplinary process addressing transdisciplinary issues. Copyright © 2009 John Wiley & Sons, Ltd.
Club Cinemetrics: New Post‐Perspectival Design Methodologies
Cinemetrics is a post‐perspectival, cinematically inspired drawing system that encourages a way of working that is multilayered and multiscalar, responding to the complexities of contemporary life and the city. Here Brian McGrath, in collaboration with Hsueh, Cheng Leun, Paul CHU Hoi Shan, José De Jesús Zamora and Victoria Marshall, demonstrates how in field work in the US, Thailand and Taiwan, Cinemetrics enabled them to adopt an interdisciplinary process addressing transdisciplinary issues. Copyright © 2009 John Wiley & Sons, Ltd.
Club Cinemetrics: New Post‐Perspectival Design Methodologies
McGrat, Brian (Autor:in) / Hsueh (Autor:in) / Leun, Cheng (Autor:in) / Hoi Shan, Paul CHU (Autor:in) / Jesús Zamora, José De (Autor:in) / Marshall, Victoria (Autor:in)
Architectural Design ; 79 ; 62-67
01.01.2009
6 pages
Aufsatz (Zeitschrift)
Elektronische Ressource
Englisch
The Hong Kong 4 X 4 International Artists' Workshop , the self‐reflective aspect of cinema , Parsons the New School for Design (PNSD) , a new multidimensional architectural space beyond the blind spots of perspectival projection , fabrication and landscape architecture. , Henri Bergson's conception of human recognition , the politics of cultural disappearance , ecosystems are seen as nonlinear and dynamic, as spatially heterogenous flow structures , Urban Living Room project , Yasujiro Ozu , nature can no longer be considered a force seeking equilibrium , post‐perspectival Cinemetric design methodology , framing images in movement and generating architectural space as flowing matter flux , National Cheng Kung University (NCKU) , Cinemetrics:Architecture Drawing Today , Syracuse University School of Architecture (SUSOA) , three conceptual fragments:Architectural Blind Spots, Disappearance and Apparitions and Changing States of Matter Flux , architecture that transforms, mutates, generates and regenerates urban‐life worlds at different speeds and scales , product design , Walter Benjamin , John Cassavetes' Faces (1968) , moving ‘centres of indeterminacy’ , a multifaceted time image replaces action , hand drawing , post‐perspectival digital design methodologies , a move towards open‐ended processes that engage design in systematic relationships with the everyday world around us , Jean‐Luc Godard , Asian megacities , systems of flows , Eric Holtz, Getting Up in the Morning, Syracuse University School of Architecture, New York, 2007 , flowing matter flux , Club Cinemetrics (Brian McGrath, Hsueh, Cheng Leun, Paul CHU Hoi Shan, JoséDe Jesús Zamora and Victoria Marshall), Haunting the Big Dig, National Cheng Kung University, Tainan, May 2008 , Cinemetric drawing demands deciphering our sensorial perceptions through reiterative analyses of movement and time in relation to space and form , ‘wicked problems’ , Chulalongkorn University Faculty of Architecture (CUFOA) , Contempt (1963) , Sham Shui Po
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