Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Coping Mechanisms: Four Dysfunctional Machines
Generally, the machine is characterised as masculine. Would it be possible to represent machines that are much more feminine in nature, that cosset humanity, encourage social interaction, and are not blind to our emotional lives, loves and heartaches? Chair of Architecture and Design at Western Sydney University and co‐guest‐editor of this AD, Michael Chapman explains some of his recent surreal architectural drawings that explore these notions.
Coping Mechanisms: Four Dysfunctional Machines
Generally, the machine is characterised as masculine. Would it be possible to represent machines that are much more feminine in nature, that cosset humanity, encourage social interaction, and are not blind to our emotional lives, loves and heartaches? Chair of Architecture and Design at Western Sydney University and co‐guest‐editor of this AD, Michael Chapman explains some of his recent surreal architectural drawings that explore these notions.
Coping Mechanisms: Four Dysfunctional Machines
Chapman, Michael (Autor:in)
Architectural Design ; 94 ; 56-63
01.11.2024
1 pages
Aufsatz (Zeitschrift)
Elektronische Ressource
Englisch
France , Paris , Crying Room project , Five Large Glasses machine , Seine , ‘A Machine for Loving In’ , Pont des Arts , Saint‐Cloud , Bercy , Marcel Duchamp , The Large Glass (officially The Bride Stripped Bare by Her Bachelors, Even) , Covid‐19 pandemic , Wangi Power Station machine , Newcastle, New South Wales , Australia , Alchemy , Andreas Vesalius , Scar , The Last Kiss , Tony Goldwyn , The Last Kiss machine
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