Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Distinguishing Between the Drawn and the Made
Here Bob Sheil, Director of Technology and Computing at the Bartlett School of Architecture and co‐organiser of the 2011 Fabricate Conference at UCL, pulls back on the rush towards material computation. With the blurring of the projected image and the constructed artefact, there is the very real danger of reducing ‘architectural production to a systematic industrial exercise’. This fails to recognise the extent to which ideas and performance are transformed, developed and refined through the very process of making. Copyright © 2012 John Wiley & Sons, Ltd.
Distinguishing Between the Drawn and the Made
Here Bob Sheil, Director of Technology and Computing at the Bartlett School of Architecture and co‐organiser of the 2011 Fabricate Conference at UCL, pulls back on the rush towards material computation. With the blurring of the projected image and the constructed artefact, there is the very real danger of reducing ‘architectural production to a systematic industrial exercise’. This fails to recognise the extent to which ideas and performance are transformed, developed and refined through the very process of making. Copyright © 2012 John Wiley & Sons, Ltd.
Distinguishing Between the Drawn and the Made
Sheil, Bob (Autor:in)
Architectural Design ; 82 ; 136-141
01.03.2012
6 pages
Aufsatz (Zeitschrift)
Elektronische Ressource
Englisch
computer‐aided design (CAD) , beta‐reality , Guan Lee, Hole at Grymsdyke Farm, Lacey Green , Peter Webb, Terra Therma, Diploma Unit 23, Bartlett School of Architecture, UCL , Emma‐Kate Matthews, Spaces of Uncertainty ‐The Augmented Instrumentalist , Phil Ayres, Digital Material, from the Persistent Model project , LiquidFactory, Incisions in the Haze, from the Prosthetic Mythologies project, Center for IT and Architecture (CITA), The Royal Danish Academy of Fine Arts, School of Architecture, Copenhagen , listening chamber , sand casting , Venice Moses Barrier , architectural drawing , Matt Shaw/ScanLAB Projects, Subverting the Lidar Landscape
Distinguishing Between the Drawn and the Made
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