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‘Complexity and Contradiction’:The Italian Architectural Landscape
10.1002/ad.446.abs
Italy is renowned the world over for its vibrant design culture. Yet for decades its architectural heritage has held contemporary architecture in a stranglehold, stifling the real possibility of realising innovative schemes in historic cities. In recent years, there has been every outward sign that this situation has abated: a growing number of municipalities are actively setting out to attract signature architecture, and a new generation of architects has emerged ‐ largely educated abroad ‐ who are unhindered by the strictures of historicism. Though, as guest‐editor Luigi Prestinenza Puglisi explains, there are plenty of reasons to be hopeful, the situation is far more complex and contradictory than it first appears, as the passage of architectural advancement in Italy constantly stop‐starts and is beset by some major roadblocks. Copyright © 2007 John Wiley & Sons, Ltd.
‘Complexity and Contradiction’:The Italian Architectural Landscape
10.1002/ad.446.abs
Italy is renowned the world over for its vibrant design culture. Yet for decades its architectural heritage has held contemporary architecture in a stranglehold, stifling the real possibility of realising innovative schemes in historic cities. In recent years, there has been every outward sign that this situation has abated: a growing number of municipalities are actively setting out to attract signature architecture, and a new generation of architects has emerged ‐ largely educated abroad ‐ who are unhindered by the strictures of historicism. Though, as guest‐editor Luigi Prestinenza Puglisi explains, there are plenty of reasons to be hopeful, the situation is far more complex and contradictory than it first appears, as the passage of architectural advancement in Italy constantly stop‐starts and is beset by some major roadblocks. Copyright © 2007 John Wiley & Sons, Ltd.
‘Complexity and Contradiction’:The Italian Architectural Landscape
Puglisi, Luigi Prestinenza (Autor:in)
Architectural Design ; 77 ; 6-15
01.05.2007
10 pages
Aufsatz (Zeitschrift)
Elektronische Ressource
Englisch
Palazzo de Enzo , Francesco Cellini , Tafurian historiographic approach (Manfredo Tafuri, Giorgio Ciucci, Francesco Dal Co and the Venetian School in general) , The Plan , Canal Grande , Maurizio Bradaschia, Livio Sacchi, Antonino Saggio, Maurizio Unali , Dejan Sudjic , Macro Brizzi , Rudy Ricciotti , Nemesi Studio, Santa Maria della Presentazione, Quartaccio, Rome , Jean Nouvel , Domus magazine , Tendenza , ‘Neoliberty: the Italian retreat from Modern Architecture’ , Francesco Dal Co , New Milan Trade Fair , Rem Koolhaas , Ettore Sottsas , Stefano Boeri , ‘star system’ , Coop Himmelb(l)au, Thom Mayne , Universale de architettura , Jewish Museum in Berlin , Giancarlo de Carlo , Ferrari Research Centre, Maranello, Emilia‐Romagna , the Berlage , Massimiliano Fuksas , HyperArchitettura , François Burkhardt , Gocce (Teardrops) , Franco Albini, Luigi Moretti, Carlo Mollino , Guggenheim Museum in Bilbao , Frank Lloyd Wright , Area , 7th International Architectural Exhibition in Venice 2000 , Columbia , Luigi Pellegin , Maurizio Sacripanti , Venice , Bruno Zevi , Vittorio Gregotti , Deconstructivist movement , Benedetto Camerana and Hugh Dutton Associés, Olympic Village Bridge, Turin , Aldo Rossi , ‘Mutations’ exhibition , the Italian Pavilion in the Biennale Gardens , Venice Biennale , Sartogo Architetti Associati, Sacro Volto di Gesù Church, Rome , RicciSpaini, Interaction Design Institute Ivrea and Cliostraat, Project for an open‐air museum, Cosenza, Calabria , Palazzo del Cinema , Reyner Banham , ‘Paesaggistica e linguaggio grado zero dell'architettura’ (Landscape and the Zero Degree of Architectural Language) , Doriana Fuksas , Architettura e cultura digitale , MAXXI Museum by Hadid , Casabella , Arch'it , Daniel Libeskind , InArch‐Ance (Instituto Nazionale di Architecttura e Associazone Nazionale Costruttori Edili) , Garofalo Miura Architetti, Santa Maria delle Grazie Church and Parish Centre, Rome , Modena , Boolean algebra , Universale di architettura , transparent methacrylate tubes , blob‐like glass canopy , Studio Zoppini Associati/HOK, Oval Speed Skating Arena, Turin , Leonardo Ricci , Marco Casamonti , Pier Cerchi and Mario Cubeddu , Infobox , Architectural Association , Vittorio Giorgini , Rho‐Pero , Ara Pacis Museum designed by Richard Meier , La Rivoluzione Informatica (The Information Revolution) , Mario Cucinella , ‘40‐year‐old architects’ , C+C04STUDIO, Residential building, Cagliari, Sardinia , GAP Architetti Associati, O Espaço dos Sonhos multifunctional community centre, Rio Pequeno, Sao Paulo, Brazil , ‘Less Aesthetics, More Ethics’ , destruction of the Twin Towers on 11 September 2001 , Zaha Hadid , Antonio Ravalli Architetti, House R, Ferrara, Emilia‐Romagna , Auditorium Parco della Musica , Frank Gehry , Renzo Piano , Postmodernism , Il Progetto , Euralille , mayor of Bologna, Sergio Cofferati , 5+1 , ABDR , the Erasmus generation , Alvisi Kirimoto + Partners, Residential building, Trani, Apulia , Giovanni Michelucci , Le Corbusier , the Vatican , Peter Eisenman
`Complexity and Contradiction':The Italian Architectural Landscape
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