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Deep Explorations Into Site/Non‐Site: The Work of Gustafson Porter
10.1002/ad.426.abs
Light and water are generally regarded as the signature elements of Kathryn Gustafson's work. Michael Spens highlights here how in recent projects with London‐based partner Neil Porter, Gustafson has also developed a particular sensitivity to the specifics of site and context. This has led to strong narrative interpretations that are most apparent in the use of memory and history in their two projects for Beirut and their evocation of natural ecosystems in the Gardens by the Bay for Singapore. Copyright © 2007 John Wiley & Sons, Ltd.
Deep Explorations Into Site/Non‐Site: The Work of Gustafson Porter
10.1002/ad.426.abs
Light and water are generally regarded as the signature elements of Kathryn Gustafson's work. Michael Spens highlights here how in recent projects with London‐based partner Neil Porter, Gustafson has also developed a particular sensitivity to the specifics of site and context. This has led to strong narrative interpretations that are most apparent in the use of memory and history in their two projects for Beirut and their evocation of natural ecosystems in the Gardens by the Bay for Singapore. Copyright © 2007 John Wiley & Sons, Ltd.
Deep Explorations Into Site/Non‐Site: The Work of Gustafson Porter
Spens, Michael (Autor:in)
Architectural Design ; 77 ; 66-75
01.03.2007
10 pages
Aufsatz (Zeitschrift)
Elektronische Ressource
Englisch
Jennifer Guthrie and Shannon Nichol , Hadiqat As‐Samah (Garden of Foregiveness), Beirut, Lebanon, 1999– , Swiss Cottage Open Space, London 2006 , ‘tropical leaves’ , ‘rippling sheet’ , Changement , a garden containing the city , Gardens by the Bay, Singapore , knowledge‐economy industries , ‘groundforms’ , Square Rachmaninov , Alexandra Asseily , Solidere , Gustafson Porter, Cultuurpark Westergasfabriek, Haarlemmerweg, Amsterdam, 2004 , Neil Porter and Mary Bowman , Urban connectivity , Sylvie Farges , Shoreline Walk (2003)
Deep Explorations Into Site/Non-Site: The Work of Gustafson Porter
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