Eine Plattform für die Wissenschaft: Bauingenieurwesen, Architektur und Urbanistik
Towards a programming culture in the design arts
10.1002/ad.287.abs
In his introduction to this issue of AD, guest‐editor Mike Silver celebrates ‘the flexible language of commands and logical procedures’ of computers whose creative potential has until now been undervalued in architecture. He explains how the ‘happy accident’ of late 1990s blob architecture is now giving way to a focus on programming and composing new code, which promises ‘to generate new and unprecedented modes of expression’. Copyright © 2006 John Wiley & Sons, Ltd.
Towards a programming culture in the design arts
10.1002/ad.287.abs
In his introduction to this issue of AD, guest‐editor Mike Silver celebrates ‘the flexible language of commands and logical procedures’ of computers whose creative potential has until now been undervalued in architecture. He explains how the ‘happy accident’ of late 1990s blob architecture is now giving way to a focus on programming and composing new code, which promises ‘to generate new and unprecedented modes of expression’. Copyright © 2006 John Wiley & Sons, Ltd.
Towards a programming culture in the design arts
Silver, Mike (Autor:in)
Architectural Design ; 76 ; 5-11
01.07.2006
7 pages
Aufsatz (Zeitschrift)
Elektronische Ressource
Englisch
Dean Thomas Hanrahan , Malcolm McCullough , CEB Reas , Ingeborg M Rocker , Haresh Lalvani , Pratt Institute School of Architecture , EPS moulds , Japhy Bartlett , Microstation , Carbon‐fibre chandelier project , Greg Lynn , John Maeda , Gehry Systems , CNC , Evan Douglis , Charles Simonyi , William Mitchell , CATIA , Dennis Shelden , task‐specific tools , Milgo/Bufkin , Richard Freeman , George Stiny , power of code , Karl Chu , Stephen Wolfram
Towards a programming culture in the design arts
British Library Online Contents | 2006
|British Library Online Contents | 2001
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