A platform for research: civil engineering, architecture and urbanism
A platform for research: civil engineering, architecture and urbanism
The battle for modernism : Quadrante and the politicization of architectural discourse in Fascist Italy
"Quadrante", Italian architectural journal published between 1933-1936
Machine generated contents note: I. Architecture, Art of the State -- 1.1926-1927: The Gruppo 7 -- 2.1928: The First Exhibition of Rationalist Architecture -- 3.1930: Spaces of Discourse -- 4.1931: miar -- 5.1930: The Politicization of Architectural Discourse -- 6. Architecture as Art and Morality -- 7. The Table of Horrors -- 8. Beyond miar -- 9.1932: A "Journal of Battle" -- II. Against Sedentary Intelligence: The Founding of Quadrante -- 1. Bontempelli and Bardi's "Principii" -- 2."Un programma di architettura" -- 3."An Unfettered, Advanced, Original Intelligence" -- 4. Birth of a Journal -- 5. Kn and the Debate over Abstraction -- 6. Influence and Influences -- 7. Edizioni di Quadrante -- 8. Conclusion -- "Contro l'Intelligenza sedentaria" -- III. Quadrante and the V Triennale Di Milano, 1933 -- 1. Villa Studio per un Artista -- 2. Casa Elettrica, 1930 -- 3. Casa sul Lago per Artista -- 4. Edificio di elementi di case popolari -- 5."Italian Rationalism Is Dead" -- 6. Padiglione della Stampa -- 7. Casa del Sabato per gli Sposi -- 8. Steel Houses -- 9. The Triennale and the Legacy of the Tavolo degli orrori -- 10. Saletta dei cirpac -- 11. Conclusion -- "In the Expositions!" -- IV."profoundly political": quadrante and the Palazzo Del Littorio Competition -- 1."The Most Meaningful and Important Artistic Fact of Our Fascist Epoch" -- 2. The Gruppo Quadrante -- 3. The Gruppo Milanese -- 4. Adalberto Libera -- 5."We Have Had Enough of Sabaudia!" -- 6."The Rats Dance" -- 7. Caro Massimo -- 8."Have No Fear to Have Courage" -- 9. This We Will Not Allow -- 10. Conclusion -- V."Fascist, Limpid And Naked Like the Truth: The Casa Del Fascio -- 1. Casa del Fascio, Como -- 2. Mass Identity -- 3.A Glass House into which Everyone Can Peer -- 4. Mussolini Is Always Present -- 5. Symbolic Materials -- 6. Critical Fortunes -- 7."Interpretazione" -- 8. Conclusion -- VI. Visionary Engineers: Ciocca, Fiorini, Nervi -- 1. Bardi and the Advocacy of Engineering -- 2. Gaetano Ciocca -- 3. Guido Fiorini -- 4. Pier Luigi Nervi -- 5. Conclusion -- VII. Quadrante and the Corporativist City -- 1. CIAM -- 2. Quadrante and the IV CIAM -- 3. Quadrante, CIAM and the Influence of Le Corbusier in Italy -- 4. CM8 and Verona -- 5. CM8 -- 6. Rebbio -- 7. Hygienic, but Not Sterile -- 8. Urbanistica -- 9. Sabaudia and the Pontine Marshes -- 10. Corporativist Urbanism -- 11."Everything in the State, Nothing Against the State, Nothing Outside the State" -- 12."The Order of the Day" -- 13. The Valle d'Aosta Regional Plan -- 14. Conclusion -- QT8 and VII CIAM
The battle for modernism : Quadrante and the politicization of architectural discourse in Fascist Italy
"Quadrante", Italian architectural journal published between 1933-1936
Machine generated contents note: I. Architecture, Art of the State -- 1.1926-1927: The Gruppo 7 -- 2.1928: The First Exhibition of Rationalist Architecture -- 3.1930: Spaces of Discourse -- 4.1931: miar -- 5.1930: The Politicization of Architectural Discourse -- 6. Architecture as Art and Morality -- 7. The Table of Horrors -- 8. Beyond miar -- 9.1932: A "Journal of Battle" -- II. Against Sedentary Intelligence: The Founding of Quadrante -- 1. Bontempelli and Bardi's "Principii" -- 2."Un programma di architettura" -- 3."An Unfettered, Advanced, Original Intelligence" -- 4. Birth of a Journal -- 5. Kn and the Debate over Abstraction -- 6. Influence and Influences -- 7. Edizioni di Quadrante -- 8. Conclusion -- "Contro l'Intelligenza sedentaria" -- III. Quadrante and the V Triennale Di Milano, 1933 -- 1. Villa Studio per un Artista -- 2. Casa Elettrica, 1930 -- 3. Casa sul Lago per Artista -- 4. Edificio di elementi di case popolari -- 5."Italian Rationalism Is Dead" -- 6. Padiglione della Stampa -- 7. Casa del Sabato per gli Sposi -- 8. Steel Houses -- 9. The Triennale and the Legacy of the Tavolo degli orrori -- 10. Saletta dei cirpac -- 11. Conclusion -- "In the Expositions!" -- IV."profoundly political": quadrante and the Palazzo Del Littorio Competition -- 1."The Most Meaningful and Important Artistic Fact of Our Fascist Epoch" -- 2. The Gruppo Quadrante -- 3. The Gruppo Milanese -- 4. Adalberto Libera -- 5."We Have Had Enough of Sabaudia!" -- 6."The Rats Dance" -- 7. Caro Massimo -- 8."Have No Fear to Have Courage" -- 9. This We Will Not Allow -- 10. Conclusion -- V."Fascist, Limpid And Naked Like the Truth: The Casa Del Fascio -- 1. Casa del Fascio, Como -- 2. Mass Identity -- 3.A Glass House into which Everyone Can Peer -- 4. Mussolini Is Always Present -- 5. Symbolic Materials -- 6. Critical Fortunes -- 7."Interpretazione" -- 8. Conclusion -- VI. Visionary Engineers: Ciocca, Fiorini, Nervi -- 1. Bardi and the Advocacy of Engineering -- 2. Gaetano Ciocca -- 3. Guido Fiorini -- 4. Pier Luigi Nervi -- 5. Conclusion -- VII. Quadrante and the Corporativist City -- 1. CIAM -- 2. Quadrante and the IV CIAM -- 3. Quadrante, CIAM and the Influence of Le Corbusier in Italy -- 4. CM8 and Verona -- 5. CM8 -- 6. Rebbio -- 7. Hygienic, but Not Sterile -- 8. Urbanistica -- 9. Sabaudia and the Pontine Marshes -- 10. Corporativist Urbanism -- 11."Everything in the State, Nothing Against the State, Nothing Outside the State" -- 12."The Order of the Day" -- 13. The Valle d'Aosta Regional Plan -- 14. Conclusion -- QT8 and VII CIAM
The battle for modernism : Quadrante and the politicization of architectural discourse in Fascist Italy
Rifkind, David (author)
2012
303 S.
zahlr. Ill., Kt.
Literaturverz. 287 - 303
Digital preservation by Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
Digital preservation by Universitätsbibliothek Heidelberg
Book
English