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Painting in stone : architecture and the poetics of marble from Antiquity to the Enlightenment
Spanning almost five millennia, 'Painting in Stone' tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this "lithic imagination": marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural-or divine-painting, thanks to their vivacious veining, rainbow palette, and chance images
Painting in stone : architecture and the poetics of marble from Antiquity to the Enlightenment
Spanning almost five millennia, 'Painting in Stone' tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this "lithic imagination": marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural-or divine-painting, thanks to their vivacious veining, rainbow palette, and chance images
Painting in stone : architecture and the poetics of marble from Antiquity to the Enlightenment
Barry, Fabio (author)
2020
IX, 438 Seiten
Illustrationen
Erworben aus Studienqualitätsmitteln
Literaturverzeichnis: Seite 372-418
Digital preservation by Universitätsbibliothek Heidelberg
Book
English
Architektur , Marmorplastik , Geschichte , Baustoff , Baudekoration , Farbe , Marmor
The aesthetics of marble : from late antiquity to the present
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