A platform for research: civil engineering, architecture and urbanism
A platform for research: civil engineering, architecture and urbanism
Elements of street art in the semantic-syntagmatic space of the city ; Элементы стрит-арта в семантико-синтагматическом пространстве города ; Елементи стріт-арту у семантико-синтагматичному просторі міста
The focus in this publication focus on identifying characteristics of elements of street art in semantic-syntagmatically space of the city. Invited to consider the practices of street art as such, which produce a special range of discursive strategies present in the General text of the city. Determined that the city acts as both text and agentin and structuralism (design specific practices, representations, rules of stay in the city) dimension of urban space. It is recorded that street art as an artistic practice and a way of marking space has a long historical tradition, but the attention of the public and scientific community was only in the second half of the twentieth century. A number of studies that had substantive scope of study the specifics of the creation and existence of street art in the urban space are interdisciplinary in nature. Modern literature about street art are divided into several major groups. It is, first and foremost, the documentation in the book-landscape format that puts the emphasis on photos, supports and reinforces the tradition of the great names and refers to a territorial logic. Secondly, it is a monographic work on street art, the authors make an attempt to show the evolution of this phenomenon in the totality of its objectives and key parameters, locations and functions in the city to change, he suggests, is changing our ideas about the possible actions of residents in the urban environment. It is noted that in the last fifteen years, street art went from fashion urban novelty to a lasting position in the official tourist guides to the cities and special districts. This practice of inclusion in tourist routes elements of street art, which is quite common in the European area, American cities today are already represented in the Ukrainian urban field. Special attention is paid to theoretical sentences of Jean Baudrillard to consider graffiti in the context of the concept of simulacra as a phenomenon that undermines the tyranny of signs and sign systems and is associated with ...
Elements of street art in the semantic-syntagmatic space of the city ; Элементы стрит-арта в семантико-синтагматическом пространстве города ; Елементи стріт-арту у семантико-синтагматичному просторі міста
The focus in this publication focus on identifying characteristics of elements of street art in semantic-syntagmatically space of the city. Invited to consider the practices of street art as such, which produce a special range of discursive strategies present in the General text of the city. Determined that the city acts as both text and agentin and structuralism (design specific practices, representations, rules of stay in the city) dimension of urban space. It is recorded that street art as an artistic practice and a way of marking space has a long historical tradition, but the attention of the public and scientific community was only in the second half of the twentieth century. A number of studies that had substantive scope of study the specifics of the creation and existence of street art in the urban space are interdisciplinary in nature. Modern literature about street art are divided into several major groups. It is, first and foremost, the documentation in the book-landscape format that puts the emphasis on photos, supports and reinforces the tradition of the great names and refers to a territorial logic. Secondly, it is a monographic work on street art, the authors make an attempt to show the evolution of this phenomenon in the totality of its objectives and key parameters, locations and functions in the city to change, he suggests, is changing our ideas about the possible actions of residents in the urban environment. It is noted that in the last fifteen years, street art went from fashion urban novelty to a lasting position in the official tourist guides to the cities and special districts. This practice of inclusion in tourist routes elements of street art, which is quite common in the European area, American cities today are already represented in the Ukrainian urban field. Special attention is paid to theoretical sentences of Jean Baudrillard to consider graffiti in the context of the concept of simulacra as a phenomenon that undermines the tyranny of signs and sign systems and is associated with ...
Elements of street art in the semantic-syntagmatic space of the city ; Элементы стрит-арта в семантико-синтагматическом пространстве города ; Елементи стріт-арту у семантико-синтагматичному просторі міста
Міхно, Н. К. (author)
2019-12-25
doi:10.15421/172001
Научно-теоретический альманах Грани; Том 22 № 12 (2019); 15-22 ; Scientific and Theoretical Almanac Grani; Vol. 22 No. 12 (2019); 15-22 ; Науково-теоретичний альманах Грані; Том 22 № 12 (2019); 15-22 ; 2413-8738 ; 2077-1800 ; 10.15421/17201912
Article (Journal)
Electronic Resource
English
urban space , street art , mural , graffiti , symbol , sign , city code , urban everyday life , urban landscape , городское пространство , стрит-арт , мурал , граффити , символ , знак , код города , городская повседневность , городской ландшафт , міський простір , стріт-арт , графіті , код міста , міська повсякденність , міський ландшафт