A platform for research: civil engineering, architecture and urbanism
A platform for research: civil engineering, architecture and urbanism
Cities and Screens ; Architecture and information in the age of transductive reproduction
UID/CCI/04667/2016 ; A smart city lives in the intersection of architecture and information. Screens constitute the most visible aspect of this mutation and its extensive existence in contemporary landscape resonates from the potential of transductive technology – one of them is its relational side. In a rupture with the medial purity (Greenberg) one could say that architecture, like cinema, has expanded itself to accompany the inter-medial tendency of visual arts. However, an analysis to these (relational) screens requires an archaeological exercise, where one discovers in architecture the most seminal relation between visual devices and space. That urban experience evoked by Walter Benjamin in the Arcades Project, on the city life of Paris of the XIX century, was anticipating the conditions of reception of another apparatus, cinema, one which, like Sergei Eisenstein, Benjamin considered to be a consequence of architecture. Citizens in circulation, absorbed in walking, led Benjamin to consider that the reception of architecture is consummated collectively, in a state of distraction. With this proposal we will approach the tectonic hypotheses of this expanded architecture. What was potential in the experience of the city, and which was later materialized in cinema, now returns transductively to the city with these architectures of information, distributed in the most diverse supports. Through the archaeological exercise, it is apparent how the city already was experimented as a screen, even before the age of the screens. ; publishersversion ; published
Cities and Screens ; Architecture and information in the age of transductive reproduction
UID/CCI/04667/2016 ; A smart city lives in the intersection of architecture and information. Screens constitute the most visible aspect of this mutation and its extensive existence in contemporary landscape resonates from the potential of transductive technology – one of them is its relational side. In a rupture with the medial purity (Greenberg) one could say that architecture, like cinema, has expanded itself to accompany the inter-medial tendency of visual arts. However, an analysis to these (relational) screens requires an archaeological exercise, where one discovers in architecture the most seminal relation between visual devices and space. That urban experience evoked by Walter Benjamin in the Arcades Project, on the city life of Paris of the XIX century, was anticipating the conditions of reception of another apparatus, cinema, one which, like Sergei Eisenstein, Benjamin considered to be a consequence of architecture. Citizens in circulation, absorbed in walking, led Benjamin to consider that the reception of architecture is consummated collectively, in a state of distraction. With this proposal we will approach the tectonic hypotheses of this expanded architecture. What was potential in the experience of the city, and which was later materialized in cinema, now returns transductively to the city with these architectures of information, distributed in the most diverse supports. Through the archaeological exercise, it is apparent how the city already was experimented as a screen, even before the age of the screens. ; publishersversion ; published
Cities and Screens ; Architecture and information in the age of transductive reproduction
2018-01-01
Conference paper
Electronic Resource
English
Implied Volatility Surface Estimation Using Transductive Gaussian Fields Regression
| British Library Online Contents | 2011
Photosensitive Architecture. The Luminous Landscapes of Computers and Screens
| BASE | 2013