A platform for research: civil engineering, architecture and urbanism
A platform for research: civil engineering, architecture and urbanism
This essay investigates how digital media relate to scenic space and modify its prerequisites and tensions, redraws its boundaries and creates new spatial models. In particular we analyse the use of space by the British company Imitating the Dog, finding three models of space remediation experienced in various theatre performances: the cinematic dramaturgy and theatricalizing cinema of Hotel Methuselah and Kellerman; the emotional space of the Winter Garden experience; Arrivals and Departures at the Deep, where scenic space redefines the borders of the urban environment. ; This essay investigates how digital media relate to scenic space and modify its prerequisites and tensions, redraws its boundaries and creates new spatial models. In particular we analyse the use of space by the British company Imitating the Dog, finding three models of space remediation experienced in various theatre performances: the cinematic dramaturgy and theatricalizing cinema of Hotel Methuselah and Kellerman; the emotional space of the Winter Garden experience; Arrivals and Departures at the Deep, where scenic space redefines the borders of the urban environment.
This essay investigates how digital media relate to scenic space and modify its prerequisites and tensions, redraws its boundaries and creates new spatial models. In particular we analyse the use of space by the British company Imitating the Dog, finding three models of space remediation experienced in various theatre performances: the cinematic dramaturgy and theatricalizing cinema of Hotel Methuselah and Kellerman; the emotional space of the Winter Garden experience; Arrivals and Departures at the Deep, where scenic space redefines the borders of the urban environment. ; This essay investigates how digital media relate to scenic space and modify its prerequisites and tensions, redraws its boundaries and creates new spatial models. In particular we analyse the use of space by the British company Imitating the Dog, finding three models of space remediation experienced in various theatre performances: the cinematic dramaturgy and theatricalizing cinema of Hotel Methuselah and Kellerman; the emotional space of the Winter Garden experience; Arrivals and Departures at the Deep, where scenic space redefines the borders of the urban environment.
Remediated Spatiality
Del Gaudio, Vincenzo (author)
2021-11-19
doi:10.6093/2035-8504/8560
Anglistica AION: An Intersciplinary Journal; Vol 20 No 2 (2016): Stage and Beyond: Space and Place in Contemporary Theatre; 97-107 ; Anglistica AION: An Interdisciplinary Journal; V. 20 N. 2 (2016): Stage and Beyond: Space and Place in Contemporary Theatre; 97-107 ; 2035-8504
Article (Journal)
Electronic Resource
English
DDC:
720
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