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Rurban Landscape as a Context of Structures: Theory and Tools for Conservation, Revitalization and Design Enhancement of Layered Morphology in Fenghuang Historic Town
Chinese rural towns have already undergone radical transformations that have deeply altered their built and rural landscape, with significant losses in terms of both cultural and built heritage, population and land-use, knowledge and traditions. After the self-rurbanization of their fringe and the de-culturalized infills into heritage textures, the designation as “Historic and Famous Towns and Villages”, seems to add paradoxically another major threat. As the case study of Fenghuang (Shaanxi) highlights, this new label attracts standardized touristic-commercial development projects, which erase a deep morphological order of the whole settlement and the authentic character of rural landscape. The protection measures developed in current Preservation and Tourism Plans introduce no substantial change compared to previous plans, in that the former reduces the living town to a scenography for the simulacrum of pastoral life, while the latter foresees the consume of all surrounding crops for the construction of a “cultural” scenic area. Moreover, Environmental Control Plans do not relate as a system the conservation-revitalization of heritage properties with the appropriate design enhancement of their morphology and landscapes, which are integral part of their authenticity. The lack of systemic vision highlights some crucial issues that still need to be clarified in their theoretical meaning and in their interrelated nature, which characters need to be acknowledged “case by case”. Fenghuang research provides the evidence and the tools to re-discuss a possible strategy based on the role of the built manifestation of collective memory, in its physical, historical, morphological reality and in its immaterial meanings; the diachronic character of authenticity which cannot be simplified in the reproduction of images of the style for tourism consumption, but implies the notion of aura, i.e. of time as material itself and of a dialectic relationship with the appropriate authenticity of new; the indissoluble nature of the ...
Rurban Landscape as a Context of Structures: Theory and Tools for Conservation, Revitalization and Design Enhancement of Layered Morphology in Fenghuang Historic Town
Chinese rural towns have already undergone radical transformations that have deeply altered their built and rural landscape, with significant losses in terms of both cultural and built heritage, population and land-use, knowledge and traditions. After the self-rurbanization of their fringe and the de-culturalized infills into heritage textures, the designation as “Historic and Famous Towns and Villages”, seems to add paradoxically another major threat. As the case study of Fenghuang (Shaanxi) highlights, this new label attracts standardized touristic-commercial development projects, which erase a deep morphological order of the whole settlement and the authentic character of rural landscape. The protection measures developed in current Preservation and Tourism Plans introduce no substantial change compared to previous plans, in that the former reduces the living town to a scenography for the simulacrum of pastoral life, while the latter foresees the consume of all surrounding crops for the construction of a “cultural” scenic area. Moreover, Environmental Control Plans do not relate as a system the conservation-revitalization of heritage properties with the appropriate design enhancement of their morphology and landscapes, which are integral part of their authenticity. The lack of systemic vision highlights some crucial issues that still need to be clarified in their theoretical meaning and in their interrelated nature, which characters need to be acknowledged “case by case”. Fenghuang research provides the evidence and the tools to re-discuss a possible strategy based on the role of the built manifestation of collective memory, in its physical, historical, morphological reality and in its immaterial meanings; the diachronic character of authenticity which cannot be simplified in the reproduction of images of the style for tourism consumption, but implies the notion of aura, i.e. of time as material itself and of a dialectic relationship with the appropriate authenticity of new; the indissoluble nature of the ...
Rurban Landscape as a Context of Structures: Theory and Tools for Conservation, Revitalization and Design Enhancement of Layered Morphology in Fenghuang Historic Town
Laura Anna Pezzetti (author) / Pezzetti, LAURA ANNA
2019-01-01
Conference paper
Electronic Resource
English , Chinese
DDC:
710
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