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This article shows how Sigfried Giedion’s understanding of modern architecture is in part inflected by Heinrich Wölfflin’s conception of the Baroque. Durchdringung, or interpenetration, is a key concept Giedion used to capture the spatial qualities inherent to modern constructions, the boundaries of which are blurred, not unlike Wölfflin’s Baroque forms. Crucial to this analysis is Giedion’s oft-neglected dissertation Spätbarocker und romantischer Klassizismus, which brings out the connection to Wölfflin and carries the seeds of Giedion’s later historiography. In the following pages, the two seemingly different conceptions – Giedion’s modern architecture and Wölfflin’s Baroque – are linked through their underlying aesthetics to suggest a continuity in one specific concept rooted in Wölfflin’s art history: the notion of blurred boundaries.
This article shows how Sigfried Giedion’s understanding of modern architecture is in part inflected by Heinrich Wölfflin’s conception of the Baroque. Durchdringung, or interpenetration, is a key concept Giedion used to capture the spatial qualities inherent to modern constructions, the boundaries of which are blurred, not unlike Wölfflin’s Baroque forms. Crucial to this analysis is Giedion’s oft-neglected dissertation Spätbarocker und romantischer Klassizismus, which brings out the connection to Wölfflin and carries the seeds of Giedion’s later historiography. In the following pages, the two seemingly different conceptions – Giedion’s modern architecture and Wölfflin’s Baroque – are linked through their underlying aesthetics to suggest a continuity in one specific concept rooted in Wölfflin’s art history: the notion of blurred boundaries.
The Aesthetics of Blurred Boundaries.
Aesthetics of Blurred Boundaries
Altenhof, Tim (author)
2022
817–861 Seiten
21: Inquiries into Art, History, and the Visual, Bd. 3 Nr. 4 (2022): 21: Inquiries into Art, History, and the Visual. Beiträge zur Kunstgeschichte und visuellen Kultur
Miscellaneous
Electronic Resource
English
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