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Architectures for immersive performances in the green, digital and inclusive transition
This paper reports studies and project experiments being developed in researches financed by local authorities, the Ministry of University and Research with the support of NextGenerationEU and the European Commission. The work investigates the potential of culture, creativity and natural and built heritage in the green, digital and inclusive transition and is focused on the creation of sustainable, inclusive, beautiful spaces, involving the collaboration among different disciplines (architecture, music and immersive sound, visual arts, social sciences, and neuroscience). The studied spaces aim to create material and immaterial architectures, characterized by circular processes and therefore adaptable, flexible, removable, repositionable and reusable. We foresee the use of material elements (building products) and immaterial elements (sounds, images, colors, lights) to define spaces intended for the diffusion of different cultural forms and to implement the attractiveness of places afflicted by processes of abandonment and social degradation. Ideas, criteria and solutions for architecture and sound and video technologies (aimed at the definition of spaces whose perception involves full use of the senses as well as the application of the extended mind concept) will be presented to promote environmentally, economically and socially sustainable transformations of natural and built habitats for new forms of cultural diffusion.
Architectures for immersive performances in the green, digital and inclusive transition
This paper reports studies and project experiments being developed in researches financed by local authorities, the Ministry of University and Research with the support of NextGenerationEU and the European Commission. The work investigates the potential of culture, creativity and natural and built heritage in the green, digital and inclusive transition and is focused on the creation of sustainable, inclusive, beautiful spaces, involving the collaboration among different disciplines (architecture, music and immersive sound, visual arts, social sciences, and neuroscience). The studied spaces aim to create material and immaterial architectures, characterized by circular processes and therefore adaptable, flexible, removable, repositionable and reusable. We foresee the use of material elements (building products) and immaterial elements (sounds, images, colors, lights) to define spaces intended for the diffusion of different cultural forms and to implement the attractiveness of places afflicted by processes of abandonment and social degradation. Ideas, criteria and solutions for architecture and sound and video technologies (aimed at the definition of spaces whose perception involves full use of the senses as well as the application of the extended mind concept) will be presented to promote environmentally, economically and socially sustainable transformations of natural and built habitats for new forms of cultural diffusion.
Architectures for immersive performances in the green, digital and inclusive transition
Donatella Radogna (author) / Antonio Vasapollo (author) / Franco Fraccastoro (author)
2024
Article (Journal)
Electronic Resource
Unknown
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