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MoMA’s strategies in the latest exhibition devoted to Latin America: “Latin America in Construction: Architecture 1955-1980”
The subject of our research is the curatorial strategy behind the project for the last major exhibition devoted to Latin America by the New York Museum of Modern Art. The show is understood itself as a project, where each of the implicated agents—the institution, curators and the works themselves—relate to each other in building an action, a narrative, and in the best of cases, contributing to critical thinking. We will analyze the mass information strategies used by the museum in selecting the works, designing the spaces and advertising the exhibition.
MoMA’s strategies in the latest exhibition devoted to Latin America: “Latin America in Construction: Architecture 1955-1980”
The subject of our research is the curatorial strategy behind the project for the last major exhibition devoted to Latin America by the New York Museum of Modern Art. The show is understood itself as a project, where each of the implicated agents—the institution, curators and the works themselves—relate to each other in building an action, a narrative, and in the best of cases, contributing to critical thinking. We will analyze the mass information strategies used by the museum in selecting the works, designing the spaces and advertising the exhibition.
MoMA’s strategies in the latest exhibition devoted to Latin America: “Latin America in Construction: Architecture 1955-1980”
Felipe Reyno Capurro (author)
2018
Article (Journal)
Electronic Resource
Unknown
Exhibition , curator , saturation , MoMA , Latin America , Architecture , NA1-9428
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Latin America in Construction: Architecture 1955—1980
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