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The Houses’ Eyes. Le Corbusier in the photographs of Guido Guidi and Takashi Homma
In photography, the spatial and volumetric characteristics of buildings participate in an implicit abstraction process to realise a bidimensional vision, one which – in creating the image – accomplishes a new expressive form. If architecture is a privileged place for humankind to experience three-dimensional space, photography intervenes in our perception of space, transposing results from the act of looking onto a surface; sometimes this action cannot be understand as an act concluded within a single image but offers, instead, exploratory possibilities that engage the photographer as well as the image’s viewers.
The Houses’ Eyes. Le Corbusier in the photographs of Guido Guidi and Takashi Homma
In photography, the spatial and volumetric characteristics of buildings participate in an implicit abstraction process to realise a bidimensional vision, one which – in creating the image – accomplishes a new expressive form. If architecture is a privileged place for humankind to experience three-dimensional space, photography intervenes in our perception of space, transposing results from the act of looking onto a surface; sometimes this action cannot be understand as an act concluded within a single image but offers, instead, exploratory possibilities that engage the photographer as well as the image’s viewers.
The Houses’ Eyes. Le Corbusier in the photographs of Guido Guidi and Takashi Homma
Stefania Rossl (author)
2021
Article (Journal)
Electronic Resource
Unknown
architettura , fotografia , spazio , Architecture , NA1-9428
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