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0 Espaço Cenográfico do Espetáculo - presença na cidade e no edifício
This work tries to stablish a stage design definition as exclusive of the scenic environment planning of theatre activity. We verify the existence of a double space, part of it physical and efficient and part an immaginary product of complicity. Through scenic action significative elements analysis we can stablish a stage-public relationship, in an immaginary field. Then w e verify in which way this kind of environment intervenes into physical space, both urban or inside a building. In the sequence we describe a dramatic intervention (just promoted by color lighting) into an architectural place known by the public, and the public reaction facing it
0 Espaço Cenográfico do Espetáculo - presença na cidade e no edifício
This work tries to stablish a stage design definition as exclusive of the scenic environment planning of theatre activity. We verify the existence of a double space, part of it physical and efficient and part an immaginary product of complicity. Through scenic action significative elements analysis we can stablish a stage-public relationship, in an immaginary field. Then w e verify in which way this kind of environment intervenes into physical space, both urban or inside a building. In the sequence we describe a dramatic intervention (just promoted by color lighting) into an architectural place known by the public, and the public reaction facing it
0 Espaço Cenográfico do Espetáculo - presença na cidade e no edifício
Jorge O. Caron (author)
1995
Article (Journal)
Electronic Resource
Unknown
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