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Arte Moderna, Trabalho e Resgate Humanístico do Cotidiano na Capela do Cristo Operário: São Paulo, 1951-1967
This paper analyses an attem pt of improvement of manual workers' life by means of mobilisation of their aesthetic sense. The doctrinary work was based on three main points: the formation of aesthetic patterns founded on modernism; the self-gestionary management of a capitalist enterprise; the transmission of catholic moral patterns according to the social humanistic interpretation current soon after the 2nd world war. This appropriation of aesthetic means by a social project makes clear the utopic dimension inherents to the modern m ovement in the arts
Arte Moderna, Trabalho e Resgate Humanístico do Cotidiano na Capela do Cristo Operário: São Paulo, 1951-1967
This paper analyses an attem pt of improvement of manual workers' life by means of mobilisation of their aesthetic sense. The doctrinary work was based on three main points: the formation of aesthetic patterns founded on modernism; the self-gestionary management of a capitalist enterprise; the transmission of catholic moral patterns according to the social humanistic interpretation current soon after the 2nd world war. This appropriation of aesthetic means by a social project makes clear the utopic dimension inherents to the modern m ovement in the arts
Arte Moderna, Trabalho e Resgate Humanístico do Cotidiano na Capela do Cristo Operário: São Paulo, 1951-1967
Mauro Claro (author) / Maria Irene Szmerecsanyi (author)
1995
Article (Journal)
Electronic Resource
Unknown
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