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Timely and timeless framing of the new MINI Cooper
https://orcid.org/0000-0003-1371-5710
This paper presents an exemplary case in the car industry: the design of the new MINI Cooper, released in 2001. Through a semi-structured interview with design expert Frank Stephenson and the use of secondary data, we examine how an expert designer considers time to design a car relevant across decades. We find that the framing of the new MINI Cooper integrates both timely and timeless aspects. In the process, Frank Stephenson draws values, frames and working principles from the present portfolio and competing products to create a succession of product generation. We use this case to argue for the centrality of framing time when striving to create seminal, long-lasting designs. The study identifies ‘the framing of time’ as a main expertise in the car industry. Therefore, this paper answers scholars' calls for more research on how outstanding designers work to consider time (Cross, 2004).
Highlights The framing of time is a critical skill for expert automotive designers. The key steps for framing the design of the new MINI Cooper are analysed. Timeless designs are anchored in the aspired values and the framing. Timely designs are based on working principles that respond to the context.
Timely and timeless framing of the new MINI Cooper
https://orcid.org/0000-0003-1371-5710
This paper presents an exemplary case in the car industry: the design of the new MINI Cooper, released in 2001. Through a semi-structured interview with design expert Frank Stephenson and the use of secondary data, we examine how an expert designer considers time to design a car relevant across decades. We find that the framing of the new MINI Cooper integrates both timely and timeless aspects. In the process, Frank Stephenson draws values, frames and working principles from the present portfolio and competing products to create a succession of product generation. We use this case to argue for the centrality of framing time when striving to create seminal, long-lasting designs. The study identifies ‘the framing of time’ as a main expertise in the car industry. Therefore, this paper answers scholars' calls for more research on how outstanding designers work to consider time (Cross, 2004).
Highlights The framing of time is a critical skill for expert automotive designers. The key steps for framing the design of the new MINI Cooper are analysed. Timeless designs are anchored in the aspired values and the framing. Timely designs are based on working principles that respond to the context.
Timely and timeless framing of the new MINI Cooper
https://orcid.org/0000-0003-1371-5710
This paper presents an exemplary case in the car industry: the design of the new MINI Cooper, released in 2001. Through a semi-structured interview with design expert Frank Stephenson and the use of secondary data, we examine how an expert designer considers time to design a car relevant across decades. We find that the framing of the new MINI Cooper integrates both timely and timeless aspects. In the process, Frank Stephenson draws values, frames and working principles from the present portfolio and competing products to create a succession of product generation. We use this case to argue for the centrality of framing time when striving to create seminal, long-lasting designs. The study identifies ‘the framing of time’ as a main expertise in the car industry. Therefore, this paper answers scholars' calls for more research on how outstanding designers work to consider time (Cross, 2004).
Highlights The framing of time is a critical skill for expert automotive designers. The key steps for framing the design of the new MINI Cooper are analysed. Timeless designs are anchored in the aspired values and the framing. Timely designs are based on working principles that respond to the context.
Timely and timeless framing of the new MINI Cooper
Laursen, Linda Nhu (author) / Barros, Mário (author)
Design Studies ; 82
2022-01-01
Article (Journal)
Electronic Resource
English
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