A platform for research: civil engineering, architecture and urbanism
A platform for research: civil engineering, architecture and urbanism
Fragment, Overlap and Time. Carlo Scarpa’s Graphic Memory
https://orcid.org/http://orcid.org/0000-0002-3588-9554
https://orcid.org/http://orcid.org/0000-0003-0469-6386
https://orcid.org/http://orcid.org/0000-0001-9421-5851
In Carlo Scarpa’s work the concepts of fragment, poetry and time, together with memory, define his work. His well-known project sketches show us interspersed ideas that make up a poem of elements that will be superimposed over time, expressing a world in a single plan. The thoughtful and prolonged creative process leaves its mark on his line on paper. A palimpsest where the layers will last, which will also be a constant reference in its architecture. This essay aims to analyze the palimpsest as a representation technique in Carlo Scarpa’s drawing. Reading the spelling of his sketches leads us to reinterpret his changing journey throughout time and through his strokes.
Fragment, Overlap and Time. Carlo Scarpa’s Graphic Memory
https://orcid.org/http://orcid.org/0000-0002-3588-9554
https://orcid.org/http://orcid.org/0000-0003-0469-6386
https://orcid.org/http://orcid.org/0000-0001-9421-5851
In Carlo Scarpa’s work the concepts of fragment, poetry and time, together with memory, define his work. His well-known project sketches show us interspersed ideas that make up a poem of elements that will be superimposed over time, expressing a world in a single plan. The thoughtful and prolonged creative process leaves its mark on his line on paper. A palimpsest where the layers will last, which will also be a constant reference in its architecture. This essay aims to analyze the palimpsest as a representation technique in Carlo Scarpa’s drawing. Reading the spelling of his sketches leads us to reinterpret his changing journey throughout time and through his strokes.
Fragment, Overlap and Time. Carlo Scarpa’s Graphic Memory
https://orcid.org/http://orcid.org/0000-0002-3588-9554
https://orcid.org/http://orcid.org/0000-0003-0469-6386
https://orcid.org/http://orcid.org/0000-0001-9421-5851
In Carlo Scarpa’s work the concepts of fragment, poetry and time, together with memory, define his work. His well-known project sketches show us interspersed ideas that make up a poem of elements that will be superimposed over time, expressing a world in a single plan. The thoughtful and prolonged creative process leaves its mark on his line on paper. A palimpsest where the layers will last, which will also be a constant reference in its architecture. This essay aims to analyze the palimpsest as a representation technique in Carlo Scarpa’s drawing. Reading the spelling of his sketches leads us to reinterpret his changing journey throughout time and through his strokes.
Fragment, Overlap and Time. Carlo Scarpa’s Graphic Memory
Springer ser. in des. and Innovation
Ródenas-López, Manuel A. (editor) / Calvo-López, José (editor) / Salcedo-Galera, Macarena (editor) / Balboa Domínguez, Lucía (author) / Grijalba Bengoetxea, Alberto (author) / Galván Desvaux, Noelia (author)
Congreso Internacional de Expresión Gráfica Arquitectónica ; 2022 ; Cartagena, Spain
2022-04-30
10 pages
Article/Chapter (Book)
Electronic Resource
English
Carlo Scarpa's Villa Ottolenghi
British Library Online Contents | 2012
| TIBKAT | 2011
British Library Online Contents | 1998