A platform for research: civil engineering, architecture and urbanism
A platform for research: civil engineering, architecture and urbanism
On the Use of Perspective by Juan de Herrera, Architect of Philip II of Spain
Abstract There are only two perspectives among the extant drawings of Juan de Herrera (1533–1597), who succeeded Juan Bautista de Toledo as architect of the Escorial. Both belong to the collection of engravings of that building made in 1589, after construction had already been completed. One is a bird’s eye view showing the exterior of the building; the other is an interior perspective of the main altar. Although both drawings appear to be rigorous, the external perspective shows a cupola with an unrealistically high tambour, dome and lantern. This paper analyzes both of these, along with a third, a bird’s eye view drawing of the building site by an unknown artist, conserved at Hatfield House (England), contextualizing them within the Escorial’s construction process and Herrera’s knowledge of perspective. The analysis argues that the elongated representation of the cupola was not an error caused by the difficulty of constructing a rigorous perspective or representing curve forms but was instead a deliberate choice made by the architect to make the cupola appear taller and slimmer.
On the Use of Perspective by Juan de Herrera, Architect of Philip II of Spain
Abstract There are only two perspectives among the extant drawings of Juan de Herrera (1533–1597), who succeeded Juan Bautista de Toledo as architect of the Escorial. Both belong to the collection of engravings of that building made in 1589, after construction had already been completed. One is a bird’s eye view showing the exterior of the building; the other is an interior perspective of the main altar. Although both drawings appear to be rigorous, the external perspective shows a cupola with an unrealistically high tambour, dome and lantern. This paper analyzes both of these, along with a third, a bird’s eye view drawing of the building site by an unknown artist, conserved at Hatfield House (England), contextualizing them within the Escorial’s construction process and Herrera’s knowledge of perspective. The analysis argues that the elongated representation of the cupola was not an error caused by the difficulty of constructing a rigorous perspective or representing curve forms but was instead a deliberate choice made by the architect to make the cupola appear taller and slimmer.
On the Use of Perspective by Juan de Herrera, Architect of Philip II of Spain
López-Mozo, Ana (author)
Nexus Network Journal ; 17 ; 133-155
2015-02-28
23 pages
Article (Journal)
Electronic Resource
English
Juan de Herrera : architect to Philip II of Spain
| TIBKAT | 1993
JUAN DE HERRERA: ARCHITECT TO PHILIP II OF SPAIN
| Online Contents | 1995
Juan Antonio Ramirez - Juan de Herrera, IV centenario
Online Contents | 1997
Juan de Herrera, arquitecto real : [exposición ; catálogo]
| TIBKAT | 1997
Adela Garcia-Herrera - Spain, Newest Museums
Online Contents | 1995