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Gardens and the death of art: Robert Irwin's Getty Garden1
It is with some trepidation that, as an art historian, I speak to the Australian Garden History Society. Art historians like to approach gardens through images, and such an approach to garden history is not always looked upon favourably. For example, Charles Quest-Ritson, in his recent The English Cardell: A Social History, asserts that:
Garden history has been abducted by the art historians & too much garden histmy has been concerned with when gardens were nude, what they looked like, who made them and how they changed.2
Gardens and the death of art: Robert Irwin's Getty Garden1
It is with some trepidation that, as an art historian, I speak to the Australian Garden History Society. Art historians like to approach gardens through images, and such an approach to garden history is not always looked upon favourably. For example, Charles Quest-Ritson, in his recent The English Cardell: A Social History, asserts that:
Garden history has been abducted by the art historians & too much garden histmy has been concerned with when gardens were nude, what they looked like, who made them and how they changed.2
Gardens and the death of art: Robert Irwin's Getty Garden1
Marshall, David R. (author)
Studies in the History of Gardens & Designed Landscapes ; 24 ; 215-228
2004-07-01
14 pages
Article (Journal)
Electronic Resource
Unknown
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