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Through close readings of John Ruskin's notebooks and diaries (related to The Stones of Venice) and the city itself, this paper explores his “watchful wandering”—as he characterized it—as a mode of urban experience and analysis, and that connected vision wherein the concrete fragment emblematizes the whole. Within a long history of ambulatory urban contemplation and journeyings, the paper locates Ruskin at the cusp of the pre- and early modern, exposing thereby a tension between the ethical and the aesthetic; between Ruskin's threefold vision—imbricating the romantic, scientific, and symbolic—and the blasé detachment of the urban flâneur.
Through close readings of John Ruskin's notebooks and diaries (related to The Stones of Venice) and the city itself, this paper explores his “watchful wandering”—as he characterized it—as a mode of urban experience and analysis, and that connected vision wherein the concrete fragment emblematizes the whole. Within a long history of ambulatory urban contemplation and journeyings, the paper locates Ruskin at the cusp of the pre- and early modern, exposing thereby a tension between the ethical and the aesthetic; between Ruskin's threefold vision—imbricating the romantic, scientific, and symbolic—and the blasé detachment of the urban flâneur.
“Watchful Wandering”
Kite, Stephen (author)
Journal of Architectural Education ; 62 ; 105-114
2009-05-01
10 pages
Article (Journal)
Electronic Resource
Unknown
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