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Transforming the notion of the urban aborigine
The ‘urban Aborigine’ has been a problematic figure in Australian social policy, because of the tension between his/her cultural status (apparently assimilated) and his/her politicised cultural identity (defiantly resistant to assimilation). This paper focuses on a moment in Australian history when a reformist intelligentsia was compelled to make better sense of the ‘urban Aborigine’, and on two intellectuals in particular: H. C. Coombs and Fay Gale. It then turns to the cultural practice of a particular sector of this intelligentsia ‐ the urban Aboriginal painter ‐ and shows how urban Aboriginal artists have sometimes addressed the problematic category ‘urban Aborigine’ by richly referencing icons of the ‘traditional’ in their paintings.
Transforming the notion of the urban aborigine
The ‘urban Aborigine’ has been a problematic figure in Australian social policy, because of the tension between his/her cultural status (apparently assimilated) and his/her politicised cultural identity (defiantly resistant to assimilation). This paper focuses on a moment in Australian history when a reformist intelligentsia was compelled to make better sense of the ‘urban Aborigine’, and on two intellectuals in particular: H. C. Coombs and Fay Gale. It then turns to the cultural practice of a particular sector of this intelligentsia ‐ the urban Aboriginal painter ‐ and shows how urban Aboriginal artists have sometimes addressed the problematic category ‘urban Aborigine’ by richly referencing icons of the ‘traditional’ in their paintings.
Transforming the notion of the urban aborigine
Rowse, Tim (author)
Urban Policy and Research ; 18 ; 171-190
2000-01-01
20 pages
Article (Journal)
Electronic Resource
Unknown
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