A platform for research: civil engineering, architecture and urbanism
A platform for research: civil engineering, architecture and urbanism
Resistant performances in Athens have gathered momentum over the last year, transforming the fixed landscape of a city into a platform for negotiation and dialogue. The singular compelling imagery of ‘occupying’ as a form of resistance is its multiplicity of voices—the collective mobilisation of the ‘multitude’. Yet, the force and urgency of a collective resistance lies in the individual untold stories of its proponents. Rather than glorify the movement as a faceless entity, this paper embraces the daily stories, struggles and wounds of occupation, by using photographs. Resistant performances are connected with existing social conditions: austerity measures, mass immigration and ‘crisis’. Such narratives of globalisation and empire building are transforming central areas and traditional notions of Athenian identity, giving birth to a new street-level language that has twisted, innovated and filled in the gaps of a culture's hegemonic discourse. The paper analyses both protests and specific examples of street art as visual markers of the shifting, complex discourses of power struggles, marginality and counter-cultures that establish a new reality that must be seen and heard.
Resistant performances in Athens have gathered momentum over the last year, transforming the fixed landscape of a city into a platform for negotiation and dialogue. The singular compelling imagery of ‘occupying’ as a form of resistance is its multiplicity of voices—the collective mobilisation of the ‘multitude’. Yet, the force and urgency of a collective resistance lies in the individual untold stories of its proponents. Rather than glorify the movement as a faceless entity, this paper embraces the daily stories, struggles and wounds of occupation, by using photographs. Resistant performances are connected with existing social conditions: austerity measures, mass immigration and ‘crisis’. Such narratives of globalisation and empire building are transforming central areas and traditional notions of Athenian identity, giving birth to a new street-level language that has twisted, innovated and filled in the gaps of a culture's hegemonic discourse. The paper analyses both protests and specific examples of street art as visual markers of the shifting, complex discourses of power struggles, marginality and counter-cultures that establish a new reality that must be seen and heard.
Athens 2012
Tsilimpounidi, Myrto (author)
City ; 16 ; 546-556
2012-10-01
11 pages
Article (Journal)
Electronic Resource
English
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