A platform for research: civil engineering, architecture and urbanism
A platform for research: civil engineering, architecture and urbanism
The Ambiguity of Visual Perception and Cloudiness in SANAA’s Architecture
A new strand of distinctive contemporary Japanese architecture represented by SANAA’s work is recognized as an extreme expression of materiality and formal austerity. SANAA’s architecture could easily be misunderstood as merely dematerialized abstract space, the outcome of an idealized vision. By analyzing the materiality and luminance quality of the Rolex Learning Center in Lausanne, Switzerland (2010) and the Louvre-Lens Museum in Lens, France (2012), this paper investigates the visual experience in SANAA’s work. It argues that visual perception within the buildings is profoundly ambiguous, and the ambiguous perception of space encourages active bodily engagement to explore and confirm that perception.
The Ambiguity of Visual Perception and Cloudiness in SANAA’s Architecture
A new strand of distinctive contemporary Japanese architecture represented by SANAA’s work is recognized as an extreme expression of materiality and formal austerity. SANAA’s architecture could easily be misunderstood as merely dematerialized abstract space, the outcome of an idealized vision. By analyzing the materiality and luminance quality of the Rolex Learning Center in Lausanne, Switzerland (2010) and the Louvre-Lens Museum in Lens, France (2012), this paper investigates the visual experience in SANAA’s work. It argues that visual perception within the buildings is profoundly ambiguous, and the ambiguous perception of space encourages active bodily engagement to explore and confirm that perception.
The Ambiguity of Visual Perception and Cloudiness in SANAA’s Architecture
Yang, Jing (author)
Architecture and Culture ; 8 ; 236-253
2020-04-02
18 pages
Article (Journal)
Electronic Resource
Unknown
SANAA , visual system , cloudiness , materiality , whiteness , thinness , luminance , ambiguity , embodied experience
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