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Literary critic Harold Bloom's concept of misprision, although difficult to translate into architectural terms, offers valuable insights into one way that architects critically engage with other designers' works through a process of creative misreading. Bloom stakes out a theory that governs both criticism and production. Misprision offers critics and historians another tool with which to explain the influence of one architect on another. The concept's pedagogical value includes a broadened understanding of the roles that precedent studies play in the design studio.
Literary critic Harold Bloom's concept of misprision, although difficult to translate into architectural terms, offers valuable insights into one way that architects critically engage with other designers' works through a process of creative misreading. Bloom stakes out a theory that governs both criticism and production. Misprision offers critics and historians another tool with which to explain the influence of one architect on another. The concept's pedagogical value includes a broadened understanding of the roles that precedent studies play in the design studio.
Misprision of Precedent
Rifkind, David (author)
Journal of Architectural Education ; 64 ; 66-75
2011-03-01
10 pages
Article (Journal)
Electronic Resource
Unknown
Misprision of Precedent: Design as Creative Misreading
Online Contents | 2011
|Misprision of Precedent: Design as Creative Misreading
British Library Online Contents | 2011
|British Library Online Contents | 1993
|British Library Online Contents | 2011
|Taylor & Francis Verlag | 1985
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