A platform for research: civil engineering, architecture and urbanism
A platform for research: civil engineering, architecture and urbanism
This article will explore a number of so-called “family films”—amateur productions—made in Scotland between the 1930s and 1960s. The films, currently preserved in the Scottish Screen Archive, were made by many different nonprofessional filmmakers either working on their own or as part of a local amateur cine club. while these films share characteristics with the home movie, they should not be confused with this mode of production as these films are carefully scripted and edited, and the events they depict are evidently staged for the camera. Unlike many home movies they have a clear narrative structure, and while the content is ordinary there has been an explicit attempt to create suspense or humor. However, like the home movie, the filmmaker normally employs his own family as his cast—generally his wife, children, and pets—and uses his own home and garden as the setting for the film. As such, they provide a beautifully realized record of actual suburban, middle-class homes during the mid-twentieth century and are revealing of these homes' interiors, providing detailed images of period products such as branded foods, clothes, and toys. As historical records the films are thus inherently valuable and of interest.
This article will explore a number of so-called “family films”—amateur productions—made in Scotland between the 1930s and 1960s. The films, currently preserved in the Scottish Screen Archive, were made by many different nonprofessional filmmakers either working on their own or as part of a local amateur cine club. while these films share characteristics with the home movie, they should not be confused with this mode of production as these films are carefully scripted and edited, and the events they depict are evidently staged for the camera. Unlike many home movies they have a clear narrative structure, and while the content is ordinary there has been an explicit attempt to create suspense or humor. However, like the home movie, the filmmaker normally employs his own family as his cast—generally his wife, children, and pets—and uses his own home and garden as the setting for the film. As such, they provide a beautifully realized record of actual suburban, middle-class homes during the mid-twentieth century and are revealing of these homes' interiors, providing detailed images of period products such as branded foods, clothes, and toys. As historical records the films are thus inherently valuable and of interest.
Halfway Down the Stairs
Lury, Karen (author)
Home Cultures ; 10 ; 267-286
2013-11-01
20 pages
Article (Journal)
Electronic Resource
English
Study of Movement Speeds Down Stairs
| UB Braunschweig | 2013
ottagonale - Up the levels, down the stairs
| Online Contents | 2008