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‘Cross-identification’: identity games and the performance of South Africanness by Ndebele-speaking migrants in Johannesburg
Language’s centrality in how ‘amakwerekwere’ – those who babble – are constructed in South Africa, raises fascinating questions when attention is cast on Zimbabwean Ndebele-speaking migrants whose language is mutually intelligible with South Africa’s Nguni cluster. This article draws from the narratives of Ndebele-speaking migrants in three neighbourhoods of Johannesburg and discusses how they negotiate their ‘outsiderness’ through a process I term ‘cross-identification.’ Cross-identification refers to the appropriation of ‘Zuluness’ by Ndebele-speaking migrants when they are among interlocutors without the symbolic competence to distinguish the distinctions between ‘Ndebele’ and ‘Zulu’ varieties. On the other hand, they deploy linguistic and social absence when in the presence of interlocutors endowed with such a capacity and who can call their bluff. To conclude, I evaluate how migrants’ performativity – cross-identification – is potentially also imagined. I raise the question, if this is the case, of what this affords both the performers and audience who are complicit in this dramaturgy.
‘Cross-identification’: identity games and the performance of South Africanness by Ndebele-speaking migrants in Johannesburg
Language’s centrality in how ‘amakwerekwere’ – those who babble – are constructed in South Africa, raises fascinating questions when attention is cast on Zimbabwean Ndebele-speaking migrants whose language is mutually intelligible with South Africa’s Nguni cluster. This article draws from the narratives of Ndebele-speaking migrants in three neighbourhoods of Johannesburg and discusses how they negotiate their ‘outsiderness’ through a process I term ‘cross-identification.’ Cross-identification refers to the appropriation of ‘Zuluness’ by Ndebele-speaking migrants when they are among interlocutors without the symbolic competence to distinguish the distinctions between ‘Ndebele’ and ‘Zulu’ varieties. On the other hand, they deploy linguistic and social absence when in the presence of interlocutors endowed with such a capacity and who can call their bluff. To conclude, I evaluate how migrants’ performativity – cross-identification – is potentially also imagined. I raise the question, if this is the case, of what this affords both the performers and audience who are complicit in this dramaturgy.
‘Cross-identification’: identity games and the performance of South Africanness by Ndebele-speaking migrants in Johannesburg
Siziba, Gugulethu (author)
African Identities ; 13 ; 262-278
2015-10-02
17 pages
Article (Journal)
Electronic Resource
English
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