A platform for research: civil engineering, architecture and urbanism
A platform for research: civil engineering, architecture and urbanism
Composing landscapes: musical memories from nineteenth-century Norwegian mountain-scapes
Throughout the nineteenth century, the Norwegian mountain-scape gradually grew in popularity as a destination for foreign and domestic touristic discovery, while simultaneously acquiring a status as object(s) of artistic value and national significance. This article explores how musical responses (here by Franz Berwald, Edvard Grieg and Julius Röntgen) to this mountain-scape can be understood to both feed off and into the ideological rhetoric around the mountain-scape by creating various ‘reminiscences’ which are conditioned by distance and (actual or imagined) memorisation, and narrated through a nostalgic construction of idealised longing.
Composing landscapes: musical memories from nineteenth-century Norwegian mountain-scapes
Throughout the nineteenth century, the Norwegian mountain-scape gradually grew in popularity as a destination for foreign and domestic touristic discovery, while simultaneously acquiring a status as object(s) of artistic value and national significance. This article explores how musical responses (here by Franz Berwald, Edvard Grieg and Julius Röntgen) to this mountain-scape can be understood to both feed off and into the ideological rhetoric around the mountain-scape by creating various ‘reminiscences’ which are conditioned by distance and (actual or imagined) memorisation, and narrated through a nostalgic construction of idealised longing.
Composing landscapes: musical memories from nineteenth-century Norwegian mountain-scapes
Lindskog, Annika (author)
Landscape History ; 34 ; 43-60
2013-10-01
18 pages
Article (Journal)
Electronic Resource
English
Norway , mountain-scrapes , music , memory , nineteenth century , nostalgia
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