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Interama, Miami's legendary hemispheric center, is remembered as the overly ambitious exposition that never materialized. The Pan-American world's fair designs explored over its long history were in many instances superficially conceived. In the mid-1960s, however, a team consisting of Louis Kahn and others elevated Interama into a nuanced hemispheric model; surprisingly, their design proposal remains unexplored. This essay examines how, as these architects crafted this tropical fair, they carefully resolved an imposed imperious program by envisioning their design as a model for the perfect city center. Consequently, they innovatively recast a New World discourse that had been repeatedly misappropriated.
Interama, Miami's legendary hemispheric center, is remembered as the overly ambitious exposition that never materialized. The Pan-American world's fair designs explored over its long history were in many instances superficially conceived. In the mid-1960s, however, a team consisting of Louis Kahn and others elevated Interama into a nuanced hemispheric model; surprisingly, their design proposal remains unexplored. This essay examines how, as these architects crafted this tropical fair, they carefully resolved an imposed imperious program by envisioning their design as a model for the perfect city center. Consequently, they innovatively recast a New World discourse that had been repeatedly misappropriated.
The Fair City of Interama
Gonzalez, Robert A. (author)
Journal of Architectural Education ; 62 ; 27-40
2008-09-01
14 pages
Article (Journal)
Electronic Resource
Unknown
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