Acknowledgements Notes on Contributors A Companion to Public Art: Introduction; Cher Krause Knight and Harriet F. Senie I. Traditions Traditions: Introduction; Cher Krause Knight and Harriet F. Senie Artists' Philosophies Memory Works Julian Bonder Public Art? Antony Gormley Natural Phenomena as Public Monuments Alan Sonfist Chapter 1: Memorializing the Holocaust; James E.

A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale.-Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselves -Includes 19 essays in four sections: tradition, site, audience, and critical frameworks -Covers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass media -Contains "artist's philosophy" essays, which address larger questions about an artist's body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist

Bogart Chapter 19: The Process Frame: Vandalism, Removal, Re-Siting, Destruction; Erika Doss Chapter 20: The Marketing Frame: Online Corporate Communities and Artistic Intervention; Jonathan Wallis Chapter 21: The Mass Media Frame: Pranking, Soap Operas and Public Art; Cher Krause Knight Epilogue; Cameron Cartiere Index.

Senie Artists' Philosophies The Virtual Sphere Frame: Toward a New Ontology and Epistemology John Craig Freeman The Elusive Frame: "Funny, " "Violent" and "Sexy" Tatzu Nishi (Interview Conducted by Chieko Kinoshita) Chapter 16: The Time Frame: Encounters with Ephemeral Public Art; Patricia C. Phillips Chapter 17: The Memory Frame: Set in Stone, a Dialogue; Amanda Douberley and Paul Druecke Chapter 18: The Patronage Frame: New York City's Mayors and the Support of Public Art; Michele H.

Senie Artists' Philosophies Practical Strategies: Framing Narratives for Public Pedagogies; Suzanne Lacy Public Art in a Post-Public World: Complicity with Dark Matter; Gregory Sholette Chapter 11: Audiences Are People, Too: Social Art Practice as Lived Experience; Mary Jane Jacob Chapter 12: Contextualizing the Public in Social Practice Projects; Jennifer McGregor and Renee Piechocki Chapter 13: Art Administrators and Audiences; Charlotte Cohen and Wendy Feuer Chapter 14: Poll the Jury: The Role of the Panelist in Public Art; Mary M. Tinti Chapter 15: Participatory Public Art Evaluation: Approaches to Researching Audience Response; Katherine Gressel IV. Frames Frames: Introduction; Cher Krause Knight and Harriet F.

Senie Artists' Philosophies Give That Site Some Privacy; eteam (Hajoe Moderegger and Franziska Lamprecht) The Grandiose Artistic Vision of Caleb Neelon; Caleb Neelon Chapter 6: Sculptural Showdowns: (Re)Siting and (Mis)Remembering in Chicago; Eli Robb Chapter 7: In the Streets Where We Live; Kate MacNeill Chapter 8: Powerlands: Land Art as Retribution and Reclamation; Erika Suderburg Chapter 9: Waterworks: Politics, Public Art and the University Campus; Grant Kester Chapter 10: Augmented Realities: Digital Art in the Public Sphere; Christiane Paul III. Audience Audience: Introduction; Cher Krause Knight and Harriet F.

Young Chapter 2: Chilean Memorials to the Disappeared: Symbolic Reparations and Strategies of Resistance; Marisa Lerer Chapter 3: Modern Mural Painting in the United States: Shaping Spaces/Shaping Publics; Sally Webster and Sylvia Rohr Chapter 4: Locating History in Concrete and Bronze: Civic Monuments in Bamako, Mali; Mary Jo Arnoldi Chapter 5: The Conflation of Heroes and Victims: A New Memorial Paradigm; Harriet F. Senie II. Site Site: Introduction; Cher Krause Knight and Harriet F.